Zeszyt naukowy - caÅoÅÄ - WydziaÅ ZarzÄ dzania i Ekonomiki UsÅug
Zeszyt naukowy - caÅoÅÄ - WydziaÅ ZarzÄ dzania i Ekonomiki UsÅug
Zeszyt naukowy - caÅoÅÄ - WydziaÅ ZarzÄ dzania i Ekonomiki UsÅug
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ZESZYTY NAUKOWE UNIWERSYTETU SZCZECIŃSKIEGO<br />
NR 592 EKONOMICZNE PROBLEMY TURYSTYKI NR 14 2010<br />
AMANDA MIEZE<br />
School of Business Administration Turība, Riga, Latvia<br />
NEGLECTED USE OF CREATIVE INDUSTRY’S PRODUCTS<br />
IN RIGA’S TOURISM OFFER<br />
Introduction<br />
In recent years all over the world culture has proved to be a factor for economic<br />
development and the meaning of culture as a former of creative potential has<br />
been growing as it has been considered the base for development of creative industries<br />
as well as an important tourism resource in every country.<br />
Dramatic growth in the variety and availability of cultural products has led to<br />
cultural explosion. Important elements of changes which relate to the development<br />
of cultural tourism include increasing merging between previously separate social<br />
and economic spheres, such as culture and economy, and tourism and culture.<br />
1. Creative industries<br />
The Department for Culture, Media and Sport of the United Kingdom<br />
(DCMS) in 1998 and 2001 was the first who developed the definition of creative<br />
industries, which underlies for defining creative industries in other countries. According<br />
to DCMS creative industries are those industries that are based on individual<br />
creativity, skill and talent; and also those that have the potential to create wealth<br />
and jobs through developing intellectual property. They include: advertising; film<br />
and video; architecture; music; art and antiques markets; performing arts; computer<br />
and video games; publishing; crafts; software; design; television and radio; designer