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For Lilian and the Indigos - Above Top Secret

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DMT: REFERENCE IMAGE FOR THE PUZZLE OF THE<br />

COSMOS<br />

How does one describe <strong>the</strong> ineffable <strong>and</strong> why would one want to? Isn't <strong>the</strong> attempt<br />

oxymoronic or paradoxical? Yet I'm typing. You're never going to pinpoint God=GUT<br />

with an equation ei<strong>the</strong>r! What if Space was made of Language? Could you <strong>the</strong>n assert<br />

that "those who know do not say" holds when <strong>the</strong>ir very existence says it all? Sometimes<br />

people who know DO SAY because <strong>the</strong>re is nothing left to do. Indeed Creation is<br />

spawned by boredom... God loves Novelty <strong>and</strong> Complexity <strong>and</strong> Earth, well...some'd say<br />

<strong>the</strong>re is bit much <strong>the</strong>se days.<br />

The best way to know is through association. This means being multidisciplined,<br />

recognizing what is to be taken exoterically <strong>and</strong> esoterically. To know that ANY given<br />

take on reality is first <strong>and</strong> foremost metaphor <strong>and</strong> observer dependent. The true seeker is<br />

<strong>the</strong> ultimate skeptic. Do you see Michael Shermer (Of Skeptic magazine) doing a heroic<br />

dosage of anything? I'm skeptical of his fear of <strong>the</strong> unknown <strong>and</strong> lack of curiosity, why<br />

he needs to do backseat science.<br />

I unapologetically write in a non-linear <strong>and</strong> fragmented way to stress that what I'm<br />

writing about is also non-linear <strong>and</strong> fragmented. This dem<strong>and</strong>s correlation between<br />

o<strong>the</strong>rwise distinct memesets <strong>and</strong> mixing of metaphors. The universality of ma<strong>the</strong>matical<br />

bases <strong>and</strong> geometry is <strong>the</strong> obvious start to correlating any <strong>and</strong> all systems. Math,<br />

however, is not <strong>the</strong> be all, end all, as numbers lack <strong>the</strong> context letters provide. Why do we<br />

see "our" event horizon or transition brane as a flowing mass of archetypal letters <strong>and</strong><br />

characters? Why did <strong>the</strong> shaman see twin serpents that look like DNA str<strong>and</strong>s? Cuz <strong>the</strong>y<br />

were.<br />

We are dealing with <strong>the</strong> border between (linear time & mass) <strong>and</strong> (static time & form)<br />

We are dealing with <strong>the</strong> Holosyntactical Gematria of <strong>the</strong> Quantum Computer called space<br />

We are dealing with <strong>the</strong> scale-invariant self-similarity of a Fractaline Branefall<br />

...A memescape where novelty peaks in <strong>the</strong> mechanics of a mental/physical phase shift.<br />

Not <strong>the</strong> <strong>the</strong>rmal kind.<br />

I read a book years ago called Fool on <strong>the</strong> Hill by Matt Ruff <strong>and</strong> experienced a fictional<br />

story taking place in locales that I had been to in real life, specifically Cornell University<br />

campus <strong>and</strong> downtown Ithaca, NY. The normal ability to conjure imagery was replaced<br />

with actual imagery <strong>and</strong> <strong>the</strong> story became that much more real. So it is when reading<br />

accounts of DMT trips. Short of popping through <strong>the</strong> membrane into hyperspace <strong>the</strong><br />

description of <strong>the</strong> experience is consistent with my psilocybin, mescaline <strong>and</strong> LSD trips.<br />

What is obvious after having read or being told of <strong>the</strong> DMT experience dozens of times is

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