For Lilian and the Indigos - Above Top Secret
For Lilian and the Indigos - Above Top Secret
For Lilian and the Indigos - Above Top Secret
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Chapter 10<br />
We stepped out <strong>the</strong> J.D. near <strong>the</strong> <strong>the</strong>atre, first me <strong>and</strong> <strong>the</strong>n Lee. There was a line,<br />
thankfully short, for tickets, <strong>and</strong> we moved to <strong>the</strong> end. O<strong>the</strong>rs ga<strong>the</strong>red behind us as we<br />
moved forward. When we got to <strong>the</strong> window, we punched in a request for four tickets – I<br />
had assured Flo that I would get tickets for her <strong>and</strong> Dee (SoundMan Sam was not<br />
interested in plays, but Dee, still looking for her bliss, was a willing audience member for<br />
<strong>the</strong> play). The machine produced <strong>the</strong> tickets <strong>and</strong> Lee tucked <strong>the</strong>m in his pocket.<br />
The <strong>the</strong>atres had tried allowing tickets to be ordered online, but a number of seats went<br />
empty as people changed <strong>the</strong>ir plans, so ra<strong>the</strong>r than have empty seats, <strong>the</strong>y chose to have<br />
<strong>the</strong> tickets disbursed outside, <strong>the</strong>reby ensuring that those who really wanted to see <strong>the</strong><br />
plays would have seats – at least until <strong>the</strong>y “sold out.” The tickets, of course, had no<br />
payment involved, but <strong>the</strong> seats were limited <strong>and</strong> so tickets were necessary.<br />
All of Pierce’s plays surrounded <strong>the</strong> scenes one could find in <strong>the</strong> scarcity of our past. His<br />
sets were comprised entirely of Old Things, lent by people who received credit for <strong>the</strong><br />
items <strong>the</strong>y brought to <strong>the</strong> stage. This play, called Quasimodo’s Plight, dealt with <strong>the</strong><br />
struggles of one person, born defective <strong>and</strong> ugly, in a society that spurned such people.<br />
In <strong>the</strong> scarcity <strong>and</strong> hidden tech, such people had no hope of having a physical vehicle of<br />
beauty. Now, of course, many ways had been developed to give us all <strong>the</strong> body we<br />
preferred. But back <strong>the</strong>n, one was stuck with what one was born to.<br />
Lee <strong>and</strong> I waited at <strong>the</strong> <strong>the</strong>atre entrance, <strong>and</strong> a short while later, I saw Flo, dressed in an<br />
exquisite velvet of darkest red, with pearls sewn in intricate swirls <strong>and</strong> sprays across <strong>the</strong><br />
front <strong>and</strong> around <strong>the</strong> hem. With her was a young girl, in a taffeta dress of pale lavender,<br />
with a striking teal Witness necklace. Flo smiled brightly, <strong>and</strong> <strong>the</strong> young girl grinned.<br />
“Izzy!” Flo exclaimed <strong>and</strong> hugged me.<br />
“Flo!” I returned, as I hugged her back. “This is Lee,” I said, “Lee, this is Flo, <strong>the</strong> artist<br />
that made <strong>the</strong> new fountain at home.”<br />
Lee hugged Flo warmly. “Glad to meet you,” he offered. “The fountain is <strong>the</strong> most aweinspiring<br />
piece I have seen. I love <strong>the</strong> way you play with <strong>the</strong> water.”<br />
Flo smiled coyly in thanks <strong>and</strong> turned to indicate <strong>the</strong> young one beside her. “My<br />
daughter, Dee.”<br />
“Hi,” said Dee, “Nice to meet you.” Dee smiled as Lee <strong>and</strong> I shook her h<strong>and</strong>.<br />
“Lovely colors, Dee,” I offered, gesturing at <strong>the</strong> pretty sight she created.<br />
Dee grinned widely <strong>and</strong> said simply, “Thanks!”