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Capoeira: The History of an Afro-Brazilian Martial Art

Capoeira: The History of an Afro-Brazilian Martial Art

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THE CAPOEIRA SCENE IN BAHIA 103<br />

Figure 4.4 Jogo de dentro with cabeçada (head butt) (left) <strong>an</strong>d tesoura (‘scissors’) (right), both at the ramp near<br />

Mercado Modelo, in the port area. Photos by Pierre Verger, 1946–7. By kind permission <strong>of</strong> the Pierre Verger<br />

Foundation.<br />

In the interval <strong>of</strong> a job (carreira), under the weight <strong>of</strong> sacks <strong>an</strong>d burdens, one turned the body <strong>an</strong>d<br />

there [<strong>an</strong>other] one went into the air with a head butt worth <strong>of</strong> a mestre, or went to the ground with the<br />

sweeping kick. And, pulling on one single foot, drawing pirouettes, one reassumed one’s burden <strong>an</strong>d<br />

returned to the job. 28<br />

<strong>The</strong>re was more time for rest between the arrivals <strong>of</strong> ships in the harbour. Sources <strong>of</strong>ten mention games<br />

taking place on the ramp leading to the main market, Mercado Modêlo, in the port area. Porters also<br />

lingered around their ‘corner’ waiting for clients. <strong>Capoeira</strong>, just as the working environment <strong>of</strong> the harbour,<br />

was a predomin<strong>an</strong>tly male world (see Figure 4.4).<br />

Yet capoeira was also played in the lower-class neighbourhoods, in particular on Sunday afternoons. Any<br />

open space would serve the purpose, but sometimes practitioners erected special barracks (barracões) with<br />

palm-thatched ro<strong>of</strong>s. 29 <strong>The</strong> districts listed by Edison Carneiro as holding regular rodas included ‘proletari<strong>an</strong><br />

neighbourhoods’ all over the city, from Massar<strong>an</strong>duba to Retiro, <strong>an</strong>d from Capelinha de São Caet<strong>an</strong>o to<br />

Amaralina. 30 Undoubtedly during those gatherings informal apprenticeship took place. This kind <strong>of</strong> local<br />

practice also developed neighbourhood identity <strong>an</strong>d solidarity, in particular in the more recent quarters <strong>of</strong><br />

the city that was growing steadily beyond its established core areas. Noronha lists as m<strong>an</strong>y as 35 different<br />

morros (hills <strong>an</strong>d sh<strong>an</strong>tytowns), which he <strong>an</strong>d his group used to visit on Sundays, <strong>an</strong>d in all <strong>of</strong> them ‘there<br />

were only tough capoeirista [who knew how] to give <strong>an</strong>d take’. 31 <strong>Capoeira</strong> was also played on the open<br />

space in front <strong>of</strong> a bar. On these occasions it was common for capoeiras to consume alcohol between<br />

games. Sometimes they performed in order to obtain money or drinks from spectators or the owner <strong>of</strong><br />

the bar. 32<br />

<strong>Capoeira</strong> became even more visible during the different festivals celebrated in the city <strong>an</strong>d the<br />

surrounding Recôncavo. Between August <strong>an</strong>d November each g<strong>an</strong>gway (escada) along the quayside in<br />

Salvador’s harbour org<strong>an</strong>ized its own commemoration. <strong>The</strong>se ‘g<strong>an</strong>gway fiestas’ aggregated different<br />

categories <strong>of</strong> port workers, sailors, ship owners <strong>an</strong>d tradesmen using that particular point. It was usually

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