Capoeira: The History of an Afro-Brazilian Martial Art
Capoeira: The History of an Afro-Brazilian Martial Art
Capoeira: The History of an Afro-Brazilian Martial Art
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20 COMPETING MASTER NARRATIVES<br />
Yet the use <strong>an</strong>d abuse <strong>of</strong> Brazili<strong>an</strong>-ness also relates to more genuine needs for identity affirmation in <strong>an</strong><br />
increasingly globalized world. Given the ‘Americ<strong>an</strong>ization’ <strong>of</strong> culture on a global scale, capoeira has become<br />
for Brazili<strong>an</strong>s—alongside samba <strong>an</strong>d football—<strong>an</strong> import<strong>an</strong>t tool in the struggle to resist cultural<br />
imperialism, to reaffirm their national identity <strong>an</strong>d to highlight their contribution to international popular<br />
culture. In that respect it is underst<strong>an</strong>dable how legitimately shocked they feel when confronted with the<br />
competing ethno-nationalist discourse advocating the Afric<strong>an</strong> character <strong>of</strong> capoeira.<br />
<strong>The</strong> search for purity <strong>an</strong>d survivals: ethnic perspectives<br />
Although no direct testimonies from slave capoeiras survived, some sources suggest that the game provided<br />
a space for the expression <strong>of</strong> Afric<strong>an</strong> ethnic identities. Slaves caught playing capoeira in the 1810s <strong>an</strong>d<br />
1820s <strong>of</strong>ten displayed markers <strong>of</strong> their particular ethnic origins, such as hats or feathers. As capoeira in Rio<br />
became more creolized, affiliations with particular g<strong>an</strong>gs tended to replace earlier expressions <strong>of</strong> ethnic<br />
identity (see Chapter 3). In Bahia, however, capoeira continued to be associated with Africa, in particular<br />
with slaves from Kongo <strong>an</strong>d Angola—generically known as ‘Angolas’—<strong>an</strong>d their descend<strong>an</strong>ts.<br />
Schoolteacher <strong>an</strong>d reformer M<strong>an</strong>uel Querino (1851–1923), to whom we owe one <strong>of</strong> the first detailed<br />
accounts <strong>of</strong> the art in Salvador, reported that capoeira was known as a ‘game’ (brinquedo) <strong>an</strong>d had been<br />
introduced to Brazil by the slaves from Angola. Following Mello Moraes in Rio, he enh<strong>an</strong>ced the folkloric<br />
side <strong>of</strong> capoeira <strong>an</strong>d suggested it r<strong>an</strong>ked equally to other national sports. Querino, <strong>an</strong> <strong>Afro</strong>-Brazili<strong>an</strong>, did not<br />
support the domin<strong>an</strong>t racist theories <strong>of</strong> his time, perhaps <strong>an</strong> indication that these were less pervasive among<br />
non-white Brazili<strong>an</strong>s th<strong>an</strong> some scholars seem to suggest. Yet he still occasionally indulged in ethnic<br />
stereotyping, describing ‘the Angola’ as ‘generally ped<strong>an</strong>tic, excessively chatty, with affected gestures’. He<br />
contrasted Bahi<strong>an</strong> <strong>an</strong>d Rio folklore, <strong>an</strong>d the heroism <strong>of</strong> the Northeastern capoeira with his Carioc<strong>an</strong><br />
counterpart, which he judged to be a ‘d<strong>an</strong>gerous element’. 55<br />
Since Salvador did not experience comparable levels <strong>of</strong> Europe<strong>an</strong> or Asi<strong>an</strong> migration, its population<br />
continued to be overwhelmingly <strong>of</strong> Afric<strong>an</strong> descent after the abolition <strong>of</strong> slavery. Direct trade links with the<br />
West Afric<strong>an</strong> coast <strong>an</strong>d some other factors facilitated the reconstitution <strong>of</strong> particular Afric<strong>an</strong> identities in the<br />
forms <strong>of</strong> ‘nations’ (see Chapter 4). <strong>The</strong> existence <strong>of</strong> a particularly vibr<strong>an</strong>t <strong>Afro</strong>-Brazili<strong>an</strong> community <strong>an</strong>d<br />
culture was certainly paramount to the development <strong>of</strong> a local school <strong>of</strong> thought that sought to study Bahi<strong>an</strong><br />
religion <strong>an</strong>d culture. Both the search for a national character <strong>an</strong>d the fears over the degeneration <strong>of</strong> the<br />
‘Brazili<strong>an</strong> race’ fostered a fresh interest in <strong>Afro</strong>-Brazili<strong>an</strong> culture. Raymundo Nina Rodrigues (1862–1906),<br />
pr<strong>of</strong>essor <strong>of</strong> medicine in Salvador, is credited with the founding <strong>of</strong> the ‘Bahi<strong>an</strong> school’ <strong>of</strong> <strong>Afro</strong>-Brazili<strong>an</strong><br />
studies. He still remained within the paradigms <strong>of</strong> Europe<strong>an</strong> racial theories <strong>of</strong> his time, advocating for<br />
inst<strong>an</strong>ce, that Negroes <strong>an</strong>d Indi<strong>an</strong>s, being racially inferior, could not be expected to behave like whites <strong>an</strong>d<br />
thus the Criminal Code should not treat them as equals. 56 Yet the intimate knowledge <strong>of</strong> <strong>Afro</strong>-Bahia religion<br />
made him realize that Brazili<strong>an</strong> society had not succeeded in ‘desafric<strong>an</strong>izing the Negro’; Catholic<br />
catechesis remained ‘<strong>an</strong> illusion’. 57 He campaigned against police repression <strong>of</strong> <strong>Afro</strong>-Brazili<strong>an</strong> cults on the<br />
grounds that c<strong>an</strong>domblé was a religion that corresponded to the level <strong>of</strong> development <strong>of</strong> the Negro. His<br />
commitment to research different aspects <strong>of</strong> <strong>Afro</strong>-Bahi<strong>an</strong> culture resulted not only in precursor studies but<br />
also influenced a whole generation <strong>of</strong> younger scholars that continued his research. His appreciation <strong>of</strong> the<br />
different levels <strong>of</strong> popular religiosity had a long-lasting impact. Rodrigues distinguished between the<br />
‘superior <strong>an</strong>imism’ <strong>of</strong> the ‘Sud<strong>an</strong>ese’ (Jeje <strong>an</strong>d Yoruba) <strong>an</strong>d the ‘narrow fetishism’ <strong>of</strong> the ‘most backward<br />
tribes’ (the ‘B<strong>an</strong>tus’ from Kongo/Angola). According to him, the Brazili<strong>an</strong> mestiços—m<strong>an</strong>y <strong>of</strong> which<br />
adopted the c<strong>an</strong>domblé de Angola or de caboclo—had the same intellectual level as the B<strong>an</strong>tus. 58