Capoeira: The History of an Afro-Brazilian Martial Art
Capoeira: The History of an Afro-Brazilian Martial Art
Capoeira: The History of an Afro-Brazilian Martial Art
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150 PASTINHA AND ANGOLA STYLE<br />
ex-slave just like Bimba’s teacher, the presumed captain <strong>of</strong> the Bahi<strong>an</strong> Navigation Comp<strong>an</strong>y, acculturated<br />
through 50 or 60 years in Brazil. <strong>The</strong> fact that so little is known about both Benedito <strong>an</strong>d Bentinho <strong>an</strong>d their<br />
teaching suggests that unlike Afric<strong>an</strong> derived religions in Brazil—where oral traditions do reach back to the<br />
early nineteenth century—no such systematized <strong>an</strong>d established body <strong>of</strong> traditions existed for capoeira at<br />
the time.<br />
While in the Navy Pastinha learned fencing, jack-knife techniques <strong>an</strong>d Swedish gymnastics. His musical<br />
skills were enh<strong>an</strong>ced too: he was taught by the then famous musici<strong>an</strong> Anacleto Vidal da Cunha <strong>an</strong>d played—<br />
probably the horn—in the Navy orchestra. 11 According to his own recollections Pastinha also taught<br />
capoeira to some <strong>of</strong> his fellow sailors. He quit the Navy at the age <strong>of</strong> 20, in 1910. He then carved out a<br />
living from a number <strong>of</strong> jobs—cle<strong>an</strong>ing shoes, selling newspapers, working as a carpenter or a casino<br />
bouncer. He opened his first capoeira school in a bicycle workshop on the Campo da Pólvora. After 1910 he<br />
taught artis<strong>an</strong>s <strong>an</strong>d students living in shared accommodation (‘repúblicas’) in the surrounding<br />
neighbourhood. 12 He therefore beg<strong>an</strong> his capoeira teaching long before mestre Bimba, even though again<br />
few details are known regarding his students from this early period <strong>of</strong> his life. According to <strong>an</strong> interview<br />
made in 1967, it seems that Pastinha aspired to live from the sale <strong>of</strong> his oil paintings, but never quite<br />
m<strong>an</strong>aged to. 13<br />
During his twenties <strong>an</strong>d thirties Pastinha led the life <strong>of</strong> a typical capoeira, surviving from occasional<br />
jobs, participating in street rodas <strong>an</strong>d eventually playing the tough guy. He conceded having beaten police<br />
<strong>of</strong>ficers on these occasions, because they were abusing him <strong>an</strong>d trying to ‘demoralize’ him in public.<br />
Despite his rather frail stature—he is always described as ‘skinny’ (‘fr<strong>an</strong>zino’)—he earned respect among<br />
the world <strong>of</strong> the tough guys. A famous episode from the 1910s reveals how capoeira made Pastinha a<br />
respected fighter. According to his own testimony:<br />
<strong>The</strong>re was this friend who asked me to take care <strong>of</strong> a gambling den. I went to take care <strong>of</strong> the casino.<br />
<strong>The</strong> police chief needed me to issue a licence [with my name] to open the house. I went. <strong>The</strong>y took<br />
me to Dr Álvaro Covas. When I entered, I was in the house [<strong>of</strong>fice] <strong>of</strong> Dr Álvaro Covas.—Doctor,<br />
this is the guy who will take care <strong>of</strong> the gambling den. He looked at me like that, he looked at me<br />
right from top to bottom with contempt.—This…this boy is going to take care <strong>of</strong> a gambling den?<br />
This kid will take care <strong>of</strong> a gambling den? My friend said:—Yes, but it is this one I w<strong>an</strong>t.—But this<br />
kid c<strong>an</strong>not take care <strong>of</strong> a gambling den. He said:—Yes, Doctor, he is a boy, but he is the one I w<strong>an</strong>t.<br />
<strong>The</strong> Doctor had to gave in, isn’t?—With your permission. He then turned to me <strong>an</strong>d said:—What is<br />
your name?—Vicente Ferreira Pastinha. He lifted his portfolio <strong>an</strong>d pulled out all the cards:—So you<br />
are the little tough guy I have here in my district? I only knew you from the complaint records, right?<br />
I said, here to myself, I said: OK, I am busted. 14<br />
Pastinha got the job <strong>an</strong>d eventually entered the network <strong>of</strong> clientelism headed by the police chief Covas <strong>an</strong>d<br />
the then serge<strong>an</strong>t Cosme de Farias (see Chapter 4). During street rodas Pastinha used to be well prepared<br />
for <strong>an</strong>y eventuality. He <strong>of</strong>ten remembered how he always carried a little sickle that could be mounted on the<br />
berimbau, tr<strong>an</strong>sforming the instrument into a powerful weapon in case <strong>of</strong> a street fight. 15<br />
Other episodes <strong>of</strong> that time relate how Pastinha threw the famous tough guy Pedro Porreta on the ground<br />
with a head butt. 16 Yet despite his initial fame Pastinha completely retired from capoeira in subsequent<br />
years. According to his own m<strong>an</strong>uscripts he withdrew from 1912 until 1941. 17 Some authors assert that<br />
Pastinha taught in Salvador until the 1920s or even during the 1930s, but do not provide further evidence<br />
for their claim. 18