Capoeira: The History of an Afro-Brazilian Martial Art
Capoeira: The History of an Afro-Brazilian Martial Art
Capoeira: The History of an Afro-Brazilian Martial Art
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state <strong>of</strong> the union. M<strong>an</strong>y, if not most senior teachers are Brazili<strong>an</strong>s who have left their native country in<br />
search <strong>of</strong> a better life. <strong>The</strong> United States <strong>an</strong>d Europe have been the prime destinations for these migr<strong>an</strong>ts<br />
since the early 1980s. <strong>The</strong>y come from different regions <strong>an</strong>d practise different styles, although the Regional<br />
style clearly predominates abroad as it does in Brazil. Prominent among the more recent arrivals are<br />
M.Amén <strong>an</strong>d Boneco, who both teach in Los Angeles. In 1992, João Gr<strong>an</strong>de, one <strong>of</strong> the most respected<br />
mestres <strong>of</strong> capoeira Angola, settled in New York where he opened his own academy. He was followed by<br />
some other well-known <strong>an</strong>goleiros such as M.Cobra M<strong>an</strong>sa <strong>an</strong>d Jur<strong>an</strong>dir, who established themselves in<br />
Washington <strong>an</strong>d Seattle. <strong>The</strong>se two mestres also created the International <strong>Capoeira</strong> Angola Foundation<br />
(FICA) <strong>an</strong>d regularly administer workshops to affiliated groups in other cities (see Figure 7.7).<br />
More th<strong>an</strong> a quarter <strong>of</strong> a century after its introduction into the country, a number <strong>of</strong> North Americ<strong>an</strong>s are<br />
now also in a position to teach capoeira. <strong>The</strong> first graduation in the United States took place in 1984, 111 <strong>an</strong>d<br />
since then the number <strong>of</strong> adv<strong>an</strong>ced students has continued to grow. Some US nationals have finally been<br />
gr<strong>an</strong>ted the title <strong>of</strong> contra-mestre, such as <strong>The</strong>mba Mashama (former student <strong>of</strong> M.Acordeon, converted to<br />
the Angola style <strong>of</strong> GCAP), or even mestre, such as M.Michael Goldstein (M.Ombrinho, student <strong>of</strong> M.Nô)<br />
<strong>an</strong>d Suellen Einarsen (M.Suelly, graduated from M.Acordeon). Today, in New York alone, dozens <strong>of</strong> well<br />
known mestres <strong>an</strong>d qualified teachers, such as Jelon Vieira, João Gr<strong>an</strong>de, Edna Lima, Bom Jesus, Lincoln,<br />
Pilão, Carvão, Caxias, Doutor, Jô <strong>an</strong>d Macaco instruct thous<strong>an</strong>ds <strong>of</strong> capoeiristas every day. Mayor Giuli<strong>an</strong>i<br />
declared 12 June 1995 ‘<strong>Capoeira</strong> Day’ to commemorate the 20 years since the art had been introduced into<br />
the United States. 112<br />
<strong>Capoeira</strong> in Europe<br />
CONTEMPORARY CAPOEIRA 187<br />
Figure 7.7 Mestres João Pequeno <strong>an</strong>d Cobra M<strong>an</strong>sa at VII Annual Meeting <strong>of</strong> the International <strong>Capoeira</strong> Angola<br />
Foundation, Rio de J<strong>an</strong>eiro State, July 2001. Courtesy <strong>of</strong> FICA, Washington, DC.<br />
Even though capoeira might have arrived in Europe earlier th<strong>an</strong> in the United States, it took longer for the<br />
art to establish itself. Probably the first to teach on the Old Continent was Nestor <strong>Capoeira</strong>. After receiving<br />
his red belt—the highest graduation in the Senzala—in 1969, M.Nestor decided to spent some time abroad.