Capoeira: The History of an Afro-Brazilian Martial Art
Capoeira: The History of an Afro-Brazilian Martial Art
Capoeira: The History of an Afro-Brazilian Martial Art
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calinda 58, 209<br />
Calmir, Mestre 183<br />
camará 108<br />
Cascudo, Luís da Câmara 22, 49, 49, 66, 81<br />
Camisa, Mestre (José Tadeu Cardoso) 170, 172<br />
Camisa Roxa, Mestre 170, 183, 186, 206<br />
Campos, Domingos 186<br />
Campos, Lima 14<br />
C<strong>an</strong>boulay procession 58<br />
c<strong>an</strong>domblé 20, 21, 36, 37, 59, 66, 101, 104, 112–17, 114,<br />
122, 139, 142, 143, 154, 155, 157, 164, 176, 209<br />
c<strong>an</strong>domblé de caboclo 134<br />
C<strong>an</strong>ela, Mestre 187<br />
C<strong>an</strong>jiquinha, Mestre (Washington Bruno da Silva) 104,<br />
159, 173, 177, 182, 192–8, 198<br />
c<strong>an</strong>tigas de sotaque 110, 134<br />
c<strong>an</strong>to 209<br />
c<strong>an</strong>to de entrada 104<br />
capadócio 209<br />
Capitães de Areia (Captains <strong>of</strong> the S<strong>an</strong>d) group 175–80<br />
capoeira 209;<br />
accounts/illustrations <strong>of</strong> 77–2, 96–3;<br />
acrobatic movements 107;<br />
assimilation <strong>of</strong> styles 199–6;<br />
attempt to sacralize/re-afric<strong>an</strong>ize 176;<br />
as bodily archive <strong>of</strong> slaves/descend<strong>an</strong>ts 22–5;<br />
broadening <strong>of</strong> audience for 143;<br />
class/ethnic background 202;<br />
competition 196–2;<br />
<strong>an</strong>d consumer attitude 206–12;<br />
contemporary me<strong>an</strong>ings <strong>of</strong> 203–14;<br />
contemporary styles 191–202;<br />
as cool 206;<br />
core modalities 198;<br />
as cultural resist<strong>an</strong>ce 208;<br />
decriminalization <strong>of</strong> 137;<br />
as derived form <strong>of</strong> <strong>Afro</strong>-Brazili<strong>an</strong> religion 113;<br />
description <strong>of</strong> xv;<br />
development <strong>of</strong> 17;<br />
discourse on 2–2, 8;<br />
early accounts/illustrations <strong>of</strong> 71–7;<br />
<strong>an</strong>d education 180–5;<br />
in Europe 186–3;<br />
as expression <strong>of</strong> post-modernism 2;<br />
formal differences in 201;<br />
globalization <strong>of</strong> 23, 184–96, 206, 207;<br />
groups/federations 178–3;<br />
history/origins <strong>of</strong> 2, 2, 155–60, 202;<br />
<strong>an</strong>d identity 207–13;<br />
INDEX 261<br />
import<strong>an</strong>ce <strong>of</strong> xv;<br />
increased visibility <strong>of</strong> 105;<br />
integration into market economy 178;<br />
lack <strong>of</strong> information concerning 71–6;<br />
leadership 202–8;<br />
as a living 173;<br />
low game/high game contrast 201;<br />
magic/sorcery <strong>of</strong> 114;<br />
master narratives 2, 3–29;<br />
as me<strong>an</strong>s <strong>of</strong> self control/education 153;<br />
in the media 168, 173, 178;<br />
modern development <strong>of</strong> 2;<br />
modernization <strong>of</strong> 206–11;<br />
monogenetic origin 53;<br />
origin <strong>of</strong> term 28;<br />
prayer 19;<br />
race/gender 209;<br />
relationship between mestres 2–7;<br />
repression <strong>of</strong> 69–4;<br />
as resist<strong>an</strong>ce 2;<br />
rituals/traditions 113, 202, 206;<br />
for show 196–2;<br />
spread from regional to national 165–85;<br />
street practice 168–3;<br />
suitability <strong>of</strong> 16;<br />
teaching methods 201;<br />
traditions 2, 3;<br />
tr<strong>an</strong>satl<strong>an</strong>tic approaches 22–8;<br />
uniforms 201;<br />
in USA 186–1;<br />
use <strong>of</strong> term 69;<br />
as weapon <strong>of</strong> conflict 203–10;<br />
whitening <strong>of</strong> 141, 143;<br />
<strong>an</strong>d women 159–4, 180;<br />
as world-wide phenomenon xv–2, 2–3,<br />
see also vadiação<br />
capoeira Angola 2, 23, 47, 104, 106, 128, 129, 130, 132,<br />
141, 145, 173, 181–9, 193, 194, 209;<br />
codification <strong>of</strong> 151–62;<br />
differences/commonalities with Regional style 198–8;<br />
frame <strong>of</strong> reference 198–4;<br />
struggle to establish 158–6;<br />
workshops <strong>an</strong>d exhibitions 183<br />
<strong>Capoeira</strong> Brasil group 172, 180<br />
<strong>Capoeira</strong> de Angola 197<br />
<strong>Capoeira</strong> Federations 195<br />
<strong>Capoeira</strong> Free Style 195<br />
capoeira g<strong>an</strong>gs 75, 78–3, 98, 99;<br />
biographical details <strong>of</strong> members 87–3;