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Capoeira: The History of an Afro-Brazilian Martial Art

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calinda 58, 209<br />

Calmir, Mestre 183<br />

camará 108<br />

Cascudo, Luís da Câmara 22, 49, 49, 66, 81<br />

Camisa, Mestre (José Tadeu Cardoso) 170, 172<br />

Camisa Roxa, Mestre 170, 183, 186, 206<br />

Campos, Domingos 186<br />

Campos, Lima 14<br />

C<strong>an</strong>boulay procession 58<br />

c<strong>an</strong>domblé 20, 21, 36, 37, 59, 66, 101, 104, 112–17, 114,<br />

122, 139, 142, 143, 154, 155, 157, 164, 176, 209<br />

c<strong>an</strong>domblé de caboclo 134<br />

C<strong>an</strong>ela, Mestre 187<br />

C<strong>an</strong>jiquinha, Mestre (Washington Bruno da Silva) 104,<br />

159, 173, 177, 182, 192–8, 198<br />

c<strong>an</strong>tigas de sotaque 110, 134<br />

c<strong>an</strong>to 209<br />

c<strong>an</strong>to de entrada 104<br />

capadócio 209<br />

Capitães de Areia (Captains <strong>of</strong> the S<strong>an</strong>d) group 175–80<br />

capoeira 209;<br />

accounts/illustrations <strong>of</strong> 77–2, 96–3;<br />

acrobatic movements 107;<br />

assimilation <strong>of</strong> styles 199–6;<br />

attempt to sacralize/re-afric<strong>an</strong>ize 176;<br />

as bodily archive <strong>of</strong> slaves/descend<strong>an</strong>ts 22–5;<br />

broadening <strong>of</strong> audience for 143;<br />

class/ethnic background 202;<br />

competition 196–2;<br />

<strong>an</strong>d consumer attitude 206–12;<br />

contemporary me<strong>an</strong>ings <strong>of</strong> 203–14;<br />

contemporary styles 191–202;<br />

as cool 206;<br />

core modalities 198;<br />

as cultural resist<strong>an</strong>ce 208;<br />

decriminalization <strong>of</strong> 137;<br />

as derived form <strong>of</strong> <strong>Afro</strong>-Brazili<strong>an</strong> religion 113;<br />

description <strong>of</strong> xv;<br />

development <strong>of</strong> 17;<br />

discourse on 2–2, 8;<br />

early accounts/illustrations <strong>of</strong> 71–7;<br />

<strong>an</strong>d education 180–5;<br />

in Europe 186–3;<br />

as expression <strong>of</strong> post-modernism 2;<br />

formal differences in 201;<br />

globalization <strong>of</strong> 23, 184–96, 206, 207;<br />

groups/federations 178–3;<br />

history/origins <strong>of</strong> 2, 2, 155–60, 202;<br />

<strong>an</strong>d identity 207–13;<br />

INDEX 261<br />

import<strong>an</strong>ce <strong>of</strong> xv;<br />

increased visibility <strong>of</strong> 105;<br />

integration into market economy 178;<br />

lack <strong>of</strong> information concerning 71–6;<br />

leadership 202–8;<br />

as a living 173;<br />

low game/high game contrast 201;<br />

magic/sorcery <strong>of</strong> 114;<br />

master narratives 2, 3–29;<br />

as me<strong>an</strong>s <strong>of</strong> self control/education 153;<br />

in the media 168, 173, 178;<br />

modern development <strong>of</strong> 2;<br />

modernization <strong>of</strong> 206–11;<br />

monogenetic origin 53;<br />

origin <strong>of</strong> term 28;<br />

prayer 19;<br />

race/gender 209;<br />

relationship between mestres 2–7;<br />

repression <strong>of</strong> 69–4;<br />

as resist<strong>an</strong>ce 2;<br />

rituals/traditions 113, 202, 206;<br />

for show 196–2;<br />

spread from regional to national 165–85;<br />

street practice 168–3;<br />

suitability <strong>of</strong> 16;<br />

teaching methods 201;<br />

traditions 2, 3;<br />

tr<strong>an</strong>satl<strong>an</strong>tic approaches 22–8;<br />

uniforms 201;<br />

in USA 186–1;<br />

use <strong>of</strong> term 69;<br />

as weapon <strong>of</strong> conflict 203–10;<br />

whitening <strong>of</strong> 141, 143;<br />

<strong>an</strong>d women 159–4, 180;<br />

as world-wide phenomenon xv–2, 2–3,<br />

see also vadiação<br />

capoeira Angola 2, 23, 47, 104, 106, 128, 129, 130, 132,<br />

141, 145, 173, 181–9, 193, 194, 209;<br />

codification <strong>of</strong> 151–62;<br />

differences/commonalities with Regional style 198–8;<br />

frame <strong>of</strong> reference 198–4;<br />

struggle to establish 158–6;<br />

workshops <strong>an</strong>d exhibitions 183<br />

<strong>Capoeira</strong> Brasil group 172, 180<br />

<strong>Capoeira</strong> de Angola 197<br />

<strong>Capoeira</strong> Federations 195<br />

<strong>Capoeira</strong> Free Style 195<br />

capoeira g<strong>an</strong>gs 75, 78–3, 98, 99;<br />

biographical details <strong>of</strong> members 87–3;

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