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Capoeira: The History of an Afro-Brazilian Martial Art

Capoeira: The History of an Afro-Brazilian Martial Art

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Hail! Hail the nation<br />

Hail the Brazili<strong>an</strong> nation<br />

Hail Princessa Isabel, oh my God,<br />

Who delivered me from captivity!<br />

Lady Isabel, what story is this<br />

That you made abolition?<br />

That you are the nice princess<br />

That finished with slavery?<br />

I am tired <strong>of</strong> that idle chat<br />

I am tired <strong>of</strong> that illusion<br />

Introduction<br />

(M.C<strong>an</strong>jiquinha 1 )<br />

(M.Toni Vargas 2 )<br />

In most Europe<strong>an</strong> <strong>an</strong>d US cities one c<strong>an</strong> see young people from different ethnic backgrounds <strong>an</strong>d genders<br />

carrying around a musical bow, or berimbau. Twenty years ago this would have inevitably raised questions<br />

over the purpose <strong>of</strong> that str<strong>an</strong>ge device, but today m<strong>an</strong>y people recognize it as the basic musical instrument<br />

<strong>of</strong> capoeira. <strong>The</strong> use <strong>of</strong> <strong>an</strong> entire percussion orchestra shows that capoeira involves much more th<strong>an</strong> mere<br />

physical exercise. Practitioners—typically between 16 <strong>an</strong>d 35 years old—not only execute awkward<br />

movements to the rhythm <strong>of</strong> the orchestra, but also need to play these instruments, <strong>an</strong>d to sing in<br />

Portuguese. Yet capoeira is much more th<strong>an</strong> music <strong>an</strong>d d<strong>an</strong>ce: it is a holistic art that develops creativity <strong>an</strong>d<br />

theatricality <strong>an</strong>d <strong>of</strong>fers its own path towards spirituality. Since adepts need to train hard in a wide r<strong>an</strong>ge <strong>of</strong><br />

bodily techniques <strong>an</strong>d intellectual skills, it also constitutes a martial art <strong>an</strong>d, according to some, a spiritual<br />

discipline.<br />

<strong>Capoeira</strong> furthermore provides a new identity, which is why it has become so import<strong>an</strong>t in our globalized<br />

world. Over the last half century, the practice <strong>of</strong> capoeira has spread from some relatively limited<br />

constituencies, in terms <strong>of</strong> geography, class, gender <strong>an</strong>d ethnicity, to <strong>an</strong> ever-growing number <strong>of</strong> adepts in<br />

Brazil. During the 1980s <strong>an</strong>d 1990s, capoeira exp<strong>an</strong>ded into Western Europe <strong>an</strong>d the United States <strong>an</strong>d is<br />

now practised in countries as diverse as Australia, Finl<strong>an</strong>d, Israel, Jap<strong>an</strong>, Korea, Mexico, Mozambique,<br />

Pol<strong>an</strong>d, Singapore, Switzerl<strong>an</strong>d, South Africa, <strong>an</strong>d Venezuela. Conservative estimates for 1998 suggested<br />

that already 3 million people around the world were practising capoeira, a number that has been growing

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