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Capoeira: The History of an Afro-Brazilian Martial Art

Capoeira: The History of an Afro-Brazilian Martial Art

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230 NOTES<br />

4 J.J.Reis, Rebelião escrava no Brasil: a historia do lev<strong>an</strong>te dos malês (1835) (São Paulo: Brasiliense, 1986),<br />

p. 16.<br />

5 <strong>The</strong> term Sud<strong>an</strong> is derived from <strong>an</strong> Arabic term for blackness. Arabic slave traders referred to the whole area<br />

south <strong>of</strong> the Sahara—from where black slaves came—as Sud<strong>an</strong>.<br />

6 Schwartz, Sugar Pl<strong>an</strong>tations, p. 341.<br />

7 For the escravos de g<strong>an</strong>ho in Salvador, see Reis, João José, ‘<strong>The</strong> Revolution <strong>of</strong> the “G<strong>an</strong>hadores”: Urb<strong>an</strong><br />

Labour, Ethnicity <strong>an</strong>d the Afric<strong>an</strong> Strike <strong>of</strong> 1857 in Bahia, Brazil.’ Journal <strong>of</strong> Latin Americ<strong>an</strong> Studies, 29 (1997),<br />

pp. 355–93.<br />

8 <strong>The</strong>y are reproduced in F.J.de Abreu, ‘A capoeira bai<strong>an</strong>a no século XIX’, IÊ, <strong>Capoeira</strong>!, Vol. I, No. 7 (c.2000),<br />

p. 14.<br />

9 J.Wetherell, Brazil. Stray Notes from Bahia (Liverpool: Webb & Hunt, 1860), pp. 119–20.<br />

10 Idem, pp. 6, 106–7 for the berimbau.<br />

11 <strong>The</strong> Alabama, 17 March, 9 April <strong>an</strong>d 12 September 1867. Both articles are reproduced in F.Abreu, ‘A capoeira<br />

bai<strong>an</strong>a’, p. 17.<br />

12 O Alabama, 12.4.1870. I am very grateful to Hendrik Kraay for providing me with this <strong>an</strong>d other precious<br />

references from this newspaper which complements the material found by F.Abreu.<br />

13 M.Querino, A Bahia de outrora (Salvador: Livraria Progresso, 1955), p. 74.<br />

14 <strong>The</strong> poem was first reproduced in J.Moura, Mestre Bimba. Crônica da <strong>Capoeira</strong>gem (Salvador: author’s edition,<br />

1991), pp. 14–15.<br />

15 O Alabama, 17.3., 9.4. <strong>an</strong>d 12.9.1867, as quoted by F.Abreu, ‘A capoeira bai<strong>an</strong>a,’ p. 17.<br />

16 Querino, A Bahia, p. 75.<br />

17 O Alabama, 12.10.1866.<br />

18 Figures from J.P.de Sousa, Escravidão ou morte. Os escravos brasileiros na Guerra do Paraguai (Rio de J<strong>an</strong>eiro:<br />

Mauad/ADESA, 1996), p. 89. M.Querino claims as m<strong>an</strong>y as 18,725 Bahi<strong>an</strong>s fought in Paraguay (A Bahia,<br />

p. 188). Oral tradition has it that slave capoeiras were already serving in a patriot battalion during the War <strong>of</strong><br />

Independence, but no written evidence has yet been found to confirm it (see D. Coutinho, O ABC da capoeira<br />

<strong>an</strong>gola. Os m<strong>an</strong>uscritos do Mestre Noronha. Brasilia: DEFER/GDF, 1993, p. 35).<br />

19 Querino, A Bahia, pp. 78–80.<br />

20 Querino, A Bahia, p. 244.<br />

21 ‘Par<strong>an</strong>aê’ probably refers to the Par<strong>an</strong>á river, which runs from Brazil into Paraguay <strong>an</strong>d delimits part <strong>of</strong> the<br />

border between both countries.<br />

22 This traditional ladainha has m<strong>an</strong>y different versions. <strong>The</strong> allusion to the Paraguay War is clearly made in the<br />

recording by M.Traira.<br />

23 According to oral history, only at a later stage did festivities for Abolition in S<strong>an</strong>to Amaro also include a capoeira<br />

perform<strong>an</strong>ce. For these celebrations, also listen to Caet<strong>an</strong>o Veloso, CD Noites do Norte (São Paulo: Universal<br />

Music, c.2000), track 3: ‘13 de maio’.<br />

24 P.Fry et al., ‘Negros e br<strong>an</strong>cos no carnaval da Velha República’, in J.J.Reis (ed.), Escravidão e invenção da<br />

liberdade (São Paulo: Brasiliense, 1988), p. 253; Butler, Freedom Given, pp. 175–87.<br />

25 <strong>The</strong> best account <strong>of</strong> the repression against c<strong>an</strong>domblé during the First Republic is provided by J. Braga, Na<br />

gamela do feitiço. Repressão e resistência nos c<strong>an</strong>domblés da Bahia (Salvador: EDUFBA, 1995).<br />

26 CD A Poesia de Boca Rica. Berimbau solo <strong>Capoeira</strong> Angola (M<strong>an</strong>aus: Sonopress, 2000), track 3.<br />

27 <strong>Capoeira</strong> in late nineteenth-century Bahia possibly had further synonyms. João do Rio relates that Bahi<strong>an</strong><br />

migr<strong>an</strong>ts in Rio called it cungú or ‘playing m<strong>an</strong>dinga’ (quoted in J.Moura, <strong>Capoeira</strong>-<strong>Art</strong>e & Mal<strong>an</strong>dragem,<br />

Salvador: Prefeitura Municipal, 1980, p. 22).<br />

28 Antonio Vi<strong>an</strong>a, Quintal de Nagô e outras crônicas (Salvador: Centro de Estudos Bai<strong>an</strong>os/UFBa, 1979), p. 8.<br />

29 C.B.Ott, Formação e evolução étnica da cidade do Salvador (o folclore Bai<strong>an</strong>o) (Salvador: Tipografia M<strong>an</strong>í<br />

Editora, 1955), pp. 153–5.<br />

30 E.Carneiro, Negros b<strong>an</strong>tos. Notas de etnografia religiosa e de folk-lore (Rio de J<strong>an</strong>eiro: Civilização Brasileira,<br />

1937), pp. 151–2.

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