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Conrad and Masculinity

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128 <strong>Conrad</strong> <strong>and</strong> <strong>Masculinity</strong><br />

hysteria with which Marlow overloads his description of the meeting.<br />

The effect is cumulative, <strong>and</strong> therefore not easily rendered by quotation,<br />

but consider the following examples:<br />

The sound of her low voice seemed to have the accompaniment of<br />

all the other sounds, full of mystery, desolation, <strong>and</strong> sorrow, I had<br />

ever heard—the ripple of the river, the soughing of the trees swayed<br />

by the wind, the murmurs of the crowds, the faint ring of incomprehensible<br />

words cried from afar, the whisper of a voice speaking<br />

from beyond the threshold of an eternal darkness.<br />

(159)<br />

I heard a light sigh <strong>and</strong> then my heart stood still, stopped dead<br />

short by an exulting <strong>and</strong> terrible cry, by the cry of inconceivable<br />

triumph <strong>and</strong> of unspeakable pain.<br />

(161–2)<br />

This cry bears comparison with Linda’s cry at the end of Nostromo<br />

which, as I suggested in Chapter 4, is part of a repression of the<br />

homosocial. In ‘Heart of Darkness’ the rhetorical excess would<br />

suggest that highly rational explanations of Marlow’s motives – or<br />

even highly coherent explanations of his behaviour in symbolic<br />

<strong>and</strong>/or unconscious terms – may distract us from a key fact: the<br />

combined panic <strong>and</strong> excitement produced in Marlow <strong>and</strong> in the text<br />

itself by the proximity of a woman to an utterance (Kurtz’s last words)<br />

which evokes, by its very hollowness, an idea of ultimate truth. As the<br />

above quotations show, this proximity calls forth a veritable barrage<br />

of those epistemologically arousing place-markers: ‘mystery’, ‘incomprehensible’,<br />

‘beyond the threshold’, ‘eternal darkness’: the<br />

unspeakable in pursuit of the inconceivable. Famously, or rather infamously,<br />

Marlow has earlier claimed that truth is generally<br />

unavailable to women :<br />

It’s queer how out of touch with truth women are. They live in a<br />

world of their own, <strong>and</strong> there had never been anything like it, <strong>and</strong><br />

never can be. It is too beautiful altogether, <strong>and</strong> if they were to set<br />

it up it would go to pieces before the first sunset. Some confounded<br />

fact we men have been living contentedly with ever since the day<br />

of creation would start up <strong>and</strong> knock the whole thing over.<br />

(59)

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