Conrad and Masculinity
Conrad and Masculinity
Conrad and Masculinity
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<strong>Masculinity</strong> <strong>and</strong> the Body 81<br />
physicality) into the relations between the officers. The presence in<br />
‘Typhoon’ of suggestions of desire between men is an unsettling possibility<br />
within the structure of moral <strong>and</strong> psychological insights into<br />
matters such as duty, courage, fear <strong>and</strong> imagination that the story<br />
overtly offers the reader. Mark Wollaeger, commenting on the importance<br />
of physical proximity in the story, argues that MacWhirr’s<br />
‘self-possession’ counters the loss of self which threatens Jukes. He<br />
instances Jukes’s contact with MacWhirr which produces ‘an access of<br />
confidence, a sensation that came from outside like a warm breath’ (T,<br />
89) (FS, 124). However, rather than reconfirming the autonomous,<br />
defended male self/body, such a process implies an opening of self to<br />
other via a physical closeness.<br />
If the idea of thinking through the body bears more explicitly on<br />
‘Typhoon’, it is perhaps in respect of MacWhirr’s notorious lack of<br />
imagination <strong>and</strong> his consequent impressive but dangerous lack of fear<br />
of the tropical storm into which he steers his ship. Imagining what an<br />
experience would be like, as opposed to simply recognizing the fact<br />
that it may occur, frequently involves a form of thinking through the<br />
body – anticipating <strong>and</strong> perhaps even experiencing in advance,<br />
psychosomatic responses – a rush of adrenaline perhaps, a dry mouth<br />
<strong>and</strong> even an unsettled stomach. The major role attributed to sexuality<br />
by feminist thinkers attempting to think through the body is surely in<br />
part because sexuality in humans so amply involves the imagination:<br />
sexual arousal does not require the physical presence of a sexual<br />
object. Here again MacWhirr would seem to be initially lacking. We<br />
are told, in the account of his earlier life, that his ‘young woman’ was<br />
‘called Lucy’, but that it ‘did not suggest itself to him to mention [to<br />
his parents] whether he thought the name pretty’ (6). Of MacWhirr’s<br />
response to gaining his first comm<strong>and</strong>, we are told that ‘the view of a<br />
distant eventuality could appeal no more [to MacWhirr] than the<br />
beauty of a wide l<strong>and</strong>scape to a purblind tourist’ (8). Presumably, the<br />
sexuality of sailors is subjected to particular pressures by the circumstances<br />
of long absences from home. Jeremy Hawthorn comments on<br />
MacWhirr’s inability to communicate meaningfully in his letters to a<br />
wife who lacks the imagination to read between the lines just as he<br />
lacks the ability to imagine what might interest her. Ironically, she<br />
fails to read a letter which is ‘for once ... worth reading, one written<br />
by a sadder <strong>and</strong> wiser MacWhirr’ (NT, 225). What, then, of<br />
MacWhirr’s sexuality? For a man incapable of responding to that<br />
which is not immediately present, prolonged absence from a sexual<br />
partner would have to imply, not merely frustration, but the total