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Conrad and Masculinity

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<strong>Masculinity</strong> <strong>and</strong> the Body 81<br />

physicality) into the relations between the officers. The presence in<br />

‘Typhoon’ of suggestions of desire between men is an unsettling possibility<br />

within the structure of moral <strong>and</strong> psychological insights into<br />

matters such as duty, courage, fear <strong>and</strong> imagination that the story<br />

overtly offers the reader. Mark Wollaeger, commenting on the importance<br />

of physical proximity in the story, argues that MacWhirr’s<br />

‘self-possession’ counters the loss of self which threatens Jukes. He<br />

instances Jukes’s contact with MacWhirr which produces ‘an access of<br />

confidence, a sensation that came from outside like a warm breath’ (T,<br />

89) (FS, 124). However, rather than reconfirming the autonomous,<br />

defended male self/body, such a process implies an opening of self to<br />

other via a physical closeness.<br />

If the idea of thinking through the body bears more explicitly on<br />

‘Typhoon’, it is perhaps in respect of MacWhirr’s notorious lack of<br />

imagination <strong>and</strong> his consequent impressive but dangerous lack of fear<br />

of the tropical storm into which he steers his ship. Imagining what an<br />

experience would be like, as opposed to simply recognizing the fact<br />

that it may occur, frequently involves a form of thinking through the<br />

body – anticipating <strong>and</strong> perhaps even experiencing in advance,<br />

psychosomatic responses – a rush of adrenaline perhaps, a dry mouth<br />

<strong>and</strong> even an unsettled stomach. The major role attributed to sexuality<br />

by feminist thinkers attempting to think through the body is surely in<br />

part because sexuality in humans so amply involves the imagination:<br />

sexual arousal does not require the physical presence of a sexual<br />

object. Here again MacWhirr would seem to be initially lacking. We<br />

are told, in the account of his earlier life, that his ‘young woman’ was<br />

‘called Lucy’, but that it ‘did not suggest itself to him to mention [to<br />

his parents] whether he thought the name pretty’ (6). Of MacWhirr’s<br />

response to gaining his first comm<strong>and</strong>, we are told that ‘the view of a<br />

distant eventuality could appeal no more [to MacWhirr] than the<br />

beauty of a wide l<strong>and</strong>scape to a purblind tourist’ (8). Presumably, the<br />

sexuality of sailors is subjected to particular pressures by the circumstances<br />

of long absences from home. Jeremy Hawthorn comments on<br />

MacWhirr’s inability to communicate meaningfully in his letters to a<br />

wife who lacks the imagination to read between the lines just as he<br />

lacks the ability to imagine what might interest her. Ironically, she<br />

fails to read a letter which is ‘for once ... worth reading, one written<br />

by a sadder <strong>and</strong> wiser MacWhirr’ (NT, 225). What, then, of<br />

MacWhirr’s sexuality? For a man incapable of responding to that<br />

which is not immediately present, prolonged absence from a sexual<br />

partner would have to imply, not merely frustration, but the total

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