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Conrad and Masculinity

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244 Index<br />

99, 119, 120, 129, 134, 168<br />

Cixous, Hélène, 17–18, 40–1, 67, 70,<br />

71, 110, 112, 115, 217n<br />

class, 37, 56, 61, 68, 70, 75, 76, 78,<br />

79, 82, 102, 107, 168, 169<br />

Clément, Catherine, 214n<br />

Clevel<strong>and</strong> Street affair, 3<br />

cliché(s), 32, 34, 38, 94, 95, 110, 161,<br />

190<br />

Collins, Wilkie, 222n<br />

colonial(ism), 22, 38, 39, 40, 41, 42,<br />

45, 55, 56, 60, 80, 96, 100, 102,<br />

108, 115, 126, 127, 146, 163<br />

see also imperialism<br />

Colvin, Sidney, 180<br />

complementarity, 17, 54<br />

Conan Doyle, Arthur, 222n<br />

concubinage, 23<br />

confession, 123–4, 136, 138, 140,<br />

141–4, 147, 148, 149, 150<br />

Connell, R.W., 217n<br />

<strong>Conrad</strong>, Joseph, life of, 3–4, 19,<br />

45–7, 70–1, 153<br />

<strong>Conrad</strong>, Joseph, works by,<br />

Almayer’s Folly, 14, 15, 20–1, 26,<br />

32–9, 44, 55, 65, 216n<br />

Arrow of Gold, The, 11, 163, 168,<br />

176–85, 192, 201, 206, 207<br />

‘Author’s Notes’, 3, 45, 46, 88, 116,<br />

139, 155, 164–6, 167, 200–1, 212n,<br />

227n<br />

Chance, 2, 5, 60, 64, 119, 120, 136,<br />

137–9, 150, 154–62, 163, 164, 166,<br />

194<br />

‘Heart of Darkness’, 2, 4, 8, 9, 11,<br />

16, 29, 44, 48, 60, 62, 63, 64, 65,<br />

114, 119, 123–36, 137, 138, 139,<br />

140, 141, 143, 146, 147, 149, 152,<br />

153, 154, 157, 159, 161, 163,<br />

164, 166, 167, 184, 185, 205<br />

‘Idiots, The’, 213n<br />

‘Karain’, 15, 35, 44, 49–50, 51–6,<br />

59, 65, 122<br />

‘Lagoon, The’, 213n<br />

letters, 95, 116–17, 154, 166, 168,<br />

180, 211n, 215n, 216n, 217n, 218n<br />

Lord Jim, 13, 15, 44, 45, 49–51, 57,<br />

58–64, 65, 70, 105, 122, 123, 153,<br />

166, 168<br />

Nigger of the ‘Narcissus’, The, 15,<br />

44, 45, 49–51, 56–8, 65, 122<br />

Nostromo, 3, 5, 11, 62, 94–117,<br />

123, 128, 138, 155<br />

‘Ocean Travel’, 70–1<br />

‘Outpost of Progress, An’, 116, 213n<br />

Outcast of the Isl<strong>and</strong>s, An, 14, 15,<br />

16, 20–1, 24–31, 38–42, 44, 45, 46,<br />

65, 218n<br />

Preface to The Nigger of the<br />

‘Narcissus’, 47–8, 166–8, 174–5<br />

Rescue, The (The Rescuer), 19, 21<br />

‘Return, The’, 213n<br />

Romance, 167, 197<br />

Rover, The, 230n<br />

Secret Agent, The, 3, 5, 11, 48, 64,<br />

69, 72, 73, 82–93, 97, 98, 113, 116,<br />

120, 137–41<br />

‘Secret Sharer, The, 9, 135<br />

Shadow Line, The, 122<br />

Tales of Unrest, 213n<br />

‘Two Vagabonds’, 218n<br />

Typhoon, 11, 66–7, 72, 74–82, 105,<br />

123<br />

Under Western Eyes, 2, 5, 11, 60, 77,<br />

120, 122, 123, 125, 135, 137–9,<br />

141–54, 165<br />

Victory, 11, 116, 155, 163, 186–210<br />

Youth, 60<br />

contrapuntal reading, 7, 15, 39, 42<br />

see also reading against the grain<br />

Coward, Rosalind, 70<br />

Cox, C.B., 224n, 226n<br />

Crane, Stephen, 48, 49<br />

Culler, Jonathan, 222n<br />

cultural difference, 11, 20, 35, 146,<br />

147, 207<br />

see also difference; race<br />

Cunninghame Graham, R.B., 222n<br />

Darwinianism, 39<br />

Davies, Laurence, 2, 228n<br />

de Gaultier, Jules, 219n<br />

de Lauretis, Teresa, 33, 173, 177,<br />

191, 209, 229n<br />

death, 186–8, 196, 206<br />

death drive, see Freud, Sigmund<br />

decentred self / subject, 26, 148, 197<br />

deconstruction, 94, 109

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