Conrad and Masculinity
Conrad and Masculinity
Conrad and Masculinity
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
Bibliography 239<br />
Meyers, Jeffrey. Homosexuality <strong>and</strong> Literature: 1890–1930 (London: Athlone<br />
Press, 1977).<br />
Michelet, Jules. La Femme, in Oeuvres completes, vol. XVIII (Paris: Flammarion,<br />
1985).<br />
Miller, J. Hillis. Poets of Reality: Six Twentieth-Century Writers (London: Oxford<br />
University Press, 1966).<br />
Mitchell, Juliet. Psychoanalysis <strong>and</strong> Feminism (London: Allen Lane, 1974).<br />
Moffat, Wendy. ‘Domestic Violence: The Simple Tale within The Secret Agent’,<br />
English Literature in Transition 1880–1920, 37.4 (1994), 465–89.<br />
Moi, Toril. Sexual/Textual Politics: Feminist Literary Theory (London <strong>and</strong> New<br />
York: Methuen, 1985).<br />
Mongia, Padmini. ‘Empire, Narrative <strong>and</strong> the Feminine in <strong>Conrad</strong>’s Lord Jim<br />
<strong>and</strong> Heart of Darkness’, in Contexts for <strong>Conrad</strong>, ed Keith Carabine, Owen<br />
Knowles <strong>and</strong> Wieslaw Krajka (East European Monographs; Boulder:<br />
University of Colorado Press, 1993), pp. 135–50; rpt. in Under Postcolonial<br />
Eyes: Joseph <strong>Conrad</strong> after Empire, eds Gail Fincham <strong>and</strong> Myrtle Hooper (Cape<br />
Town: University of Cape Town Press, 1996), pp. 120–32.<br />
—— ‘Ghosts of the Gothic: Spectral Women <strong>and</strong> Colonized Spaces in Lord Jim’,<br />
in <strong>Conrad</strong> <strong>and</strong> Gender, ed. Roberts, pp. 1–16.<br />
Moser, Thomas. Joseph <strong>Conrad</strong>: Achievement <strong>and</strong> Decline (Cambridge, MA:<br />
Harvard University Press, 1957).<br />
Mulhern, Francis. ‘English Reading’, in Nation <strong>and</strong> Narration, ed. Homi Bhabha<br />
(London <strong>and</strong> New York: Routledge, 1990), pp. 256–7.<br />
Mulvey, Laura. ‘Visual Pleasure <strong>and</strong> Narrative Cinema’, Screen, 16.4 (Winter<br />
1975–6), 119–30; rpt. in The Sexual Subject, ed. Screen, pp. 22–34.<br />
Nadelhaft, Ruth L. Joseph <strong>Conrad</strong> (Feminist Readings) (Hemel Hempstead:<br />
Harvester, 1991).<br />
Neale, Steve. ‘Sexual Difference in Cinema – Issues of Fantasy, Narrative <strong>and</strong><br />
the Look’, Oxford Literary Review, 8.1/8.2 (1986), 123–32.<br />
—— ‘<strong>Masculinity</strong> As Spectacle’, in The Sexual Subject, ed. Screen, pp. 277–87.<br />
Pajaczkowska, Claire. ‘The Heterosexual Presumption: A Contribution to the<br />
Debate on Pornography’, Screen, 22.1 (1981), 79–94.<br />
Parry, Benita. ‘Problems in Current Theories of Colonial Discourse’, Oxford<br />
Literary Review, 9 (1987), 27–58.<br />
Pollock, Griselda. Vision <strong>and</strong> Difference: Femininity, Feminism <strong>and</strong> the Histories of<br />
Art (London <strong>and</strong> New York: Routledge, 1988).<br />
Raitt, Suzanne. Virginia Woolf’s To The Lighthouse (Hemel Hempstead:<br />
Harvester Wheatsheaf, 1990).<br />
Ray, Martin. Introduction to Joseph <strong>Conrad</strong>, Chance (Oxford: Oxford<br />
University Press, 1988), pp. vii–xix.<br />
Reilly, Jim. Shadowtime: History <strong>and</strong> Representation in Hardy, <strong>Conrad</strong> <strong>and</strong> Eliot<br />
(London <strong>and</strong> New York: Routledge, 1993).<br />
Rignall, John. ‘Benjamin’s Flâneur <strong>and</strong> the Problem of Realism’, in The Problems<br />
of Modernity: Adorno <strong>and</strong> Benjamin, ed. Andrew Benjamin (London:<br />
Routledge, 1989), pp. 112–21.<br />
Roberts, Andrew Michael. ‘The Gaze <strong>and</strong> the Dummy: Sexual Politics in<br />
<strong>Conrad</strong>’s The Arrow of Gold’, in Joseph <strong>Conrad</strong>: Critical Assessments, ed. Keith<br />
Carabine, 4 vols (Robertsbridge, Sussex: Helm, 1992), III, 528–50.<br />
—— ‘“What else could I tell him?”: Confessing to Women <strong>and</strong> Lying to Men