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Conrad and Masculinity

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132 <strong>Conrad</strong> <strong>and</strong> <strong>Masculinity</strong><br />

him ... include ‘mysterious,’ ‘exceptional,’ ‘peculiar,’ ‘exceptional’<br />

again, ‘obscure,’ ‘phenomenal,’ ‘notable,’ ‘phenomenal’ again,<br />

‘exceptional’ again, ‘secretive’ ... [These are combined with] a parallel<br />

<strong>and</strong> equally abstract chain of damning ethical designations –<br />

‘the direct reverse of a saint,’ ‘depravity,’ ‘depravity,’ ‘wantonness<br />

of atrocity,’ ‘the mania of an evil nature.’<br />

(EC, 94–5)<br />

This whole description is remarkably relevant to the way in which<br />

Kurtz, <strong>and</strong> Marlow’s relationship with Kurtz, are defined, or rather left<br />

undefined. Kurtz is described to Marlow as ‘a very remarkable person’<br />

(69), as a man who will ‘go far, very far’ (70) (a richly ironical phrase,<br />

with the benefit of hindsight), as ‘an exceptional man’ (75), ‘a<br />

prodigy’, ‘an emissary of pity, <strong>and</strong> science, <strong>and</strong> progress, <strong>and</strong> devil<br />

knows what else’, ‘a special being’ (79). Marlow comments: ‘I had<br />

heard Mr. Kurtz was in there ... Yet somehow it didn’t bring any image<br />

with it—no more than if I had been told an angel or a fiend was in<br />

there’ (81). Later we find Kurtz referred to as ‘that man’ (89), <strong>and</strong>, in<br />

Marlow’s conversation with the ‘harlequin’ (122), as one who has<br />

‘enlarged my mind’ (125). The harlequin tells Marlow that he <strong>and</strong><br />

Kurtz ‘talked of everything ... Of love, too’, although ‘It isn’t what you<br />

think’ (what does Marlow think?), but ‘It was in general. He made me<br />

see things—things’ (127). The harlequin claims that ‘you can’t judge<br />

Mr. Kurtz as you would an ordinary man’ (128). Marlow himself<br />

describes Kurtz as ‘a remarkable man’ (138) <strong>and</strong> as ‘very little more<br />

than a voice’ (115), a fate which he shares himself within the narrative<br />

frame as it becomes darker on the Nellie – one aspect of the crucial<br />

rapprochement or doubling between Marlow <strong>and</strong> Kurtz. As well as<br />

these ‘intensifications’ of the mystery surrounding Kurtz, there are<br />

many ‘damning ethical designations’: Kurtz, we are told, ‘lacked<br />

restraint in the gratification of his various lusts’ (131); ‘there was<br />

something wanting in him’ (131); ‘he was hollow at the core’ (131);<br />

he is ‘an atrocious phantom’ (133), a ‘shadow’ (141), ‘like a vapour<br />

exhaled by the earth’ (142), a ‘w<strong>and</strong>ering <strong>and</strong> tormented thing’ (143),<br />

marked by ‘exalted <strong>and</strong> incredible degradation’ (144), <strong>and</strong> whose soul<br />

‘had gone mad’ (145), possessed by ‘diabolic love <strong>and</strong> ... unearthly<br />

hate’ (147) <strong>and</strong>, of course, in his own words, ‘the horror!’ (149).<br />

Faced with this barrage of mystification <strong>and</strong> condemnation, it is<br />

worth briefly being literal minded as an experiment. What has Kurtz<br />

actually done? He has murdered <strong>and</strong> brutally exploited African<br />

people, but this he has in common with the others involved in the

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