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Conrad and Masculinity

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<strong>Masculinity</strong> <strong>and</strong> the Body 69<br />

Stallybrass <strong>and</strong> White observe, in thinking the body ‘adequate conception<br />

founders upon the problematic familiarity, the enfolding<br />

intimacy, of its domain’ (PPT, 28). Rosi Braidotti summarizes the<br />

conception of the body arising out of the dialogue of feminism,<br />

psychoanalysis <strong>and</strong> poststructuralist theory:<br />

The body ... cannot be reduced to the biological, nor can it be<br />

confined to social conditioning ... the body is seen as an inter-face,<br />

a threshold, a field of intersection of material <strong>and</strong> symbolic forces;<br />

it is a surface where multiple codes of power <strong>and</strong> knowledge are<br />

inscribed; it is a construction that transforms <strong>and</strong> capitalizes on<br />

energies of a heterogeneous <strong>and</strong> discontinuous nature. The body is<br />

not an essence ... it is one’s primary location in the world. 8<br />

In considering the role of the body in <strong>Conrad</strong>’s representation <strong>and</strong><br />

construction of masculinity, I will refer to a number of these aspects:<br />

in particular, to the material <strong>and</strong> the symbolic, <strong>and</strong> to power, knowledge<br />

<strong>and</strong> inscription. In ‘Typhoon’ men’s individual bodies, <strong>and</strong><br />

bodies of men (the officers, the crew, the Chinese passengers) are<br />

engaged in strenuous physical struggles within the body of a ship.<br />

How does the materiality of body, ship <strong>and</strong> storm interact with<br />

symbolic meanings (the storm as symbol of life or of the unknowable)<br />

in endorsing or unsettling normative ideas of masculinity <strong>and</strong> the<br />

male body? In The Secret Agent, does the physical destruction of the<br />

marginally masculine body of Stevie inscribe or circumscribe male<br />

power in a bureaucratic, alienated modern urban society? Nostromo<br />

discovers that his physical prowess <strong>and</strong> macho heroism, which seem<br />

to give him power, only make him the passive victim of larger structures<br />

of economic <strong>and</strong> political power. How does this reflect on the<br />

place of the male body in structures of power?<br />

The usage ‘the body’ is of course open to question on at least two<br />

grounds. By seeming to refer to an abstract essence, or at the very least<br />

announcing a ‘concept’, it risks dematerializing <strong>and</strong> homogenizing<br />

just at the moment when the issues of the materiality <strong>and</strong> variety of<br />

bodies are introduced. 9 Furthermore, in its implicit singularity <strong>and</strong><br />

unity it may be thought to reproduce masculinist modes of thinking.<br />

10 However, Pamela Banting argues that ‘nominal pluralizing’<br />

(changing ‘the body’ to ‘bodies’, ‘woman’ to ‘women’, ‘feminism’ to<br />

‘feminisms’, etc.), is merely essentialism ‘spelled “differently”’. 11 To<br />

reject the use of ‘the body’ would, I believe, be limiting, but it should<br />

be used with an awareness of the risks of generalization. The problem

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