17.11.2012 Views

Conrad and Masculinity

Conrad and Masculinity

Conrad and Masculinity

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

248 Index<br />

merchant navy / merchant officers,<br />

3, 19, 47, 58, 62, 70, 122<br />

Meyer, Bernard C., 212n<br />

Meyers, Jeffrey, 1, 205, 230n<br />

Michelet, Jules, 225n<br />

Miller, Henry, 7<br />

Miller, J. Hillis, 118<br />

miscegenation / métissage, 15, 20, 22,<br />

23, 28, 44<br />

misogyny, 21, 25, 27, 32, 38, 39, 42,<br />

152, 156, 161, 197, 201, 205<br />

misunderst<strong>and</strong>ing, 147–50, 154, 191<br />

Mitchell, Juliet, 6<br />

modernism, 6, 29, 71, 118, 119, 168<br />

modernity, 3, 17, 18, 36, 48, 50, 51,<br />

55, 61, 62, 65, 70, 96, 103, 106,<br />

107, 108, 118–36<br />

Moffat, Wendy, 211n<br />

Moi, Toril, 169, 177<br />

Mogia, Padmini, 1, 216n, 224n<br />

Montrelay, Michèle, 221n<br />

Moser, Thomas, 211n, 213n, 228n<br />

Mulhern, Francis, 75, 76<br />

Mulvey, Laura, 170, 171, 173, 175,<br />

176, 179<br />

Nadelhaft, Ruth, 28, 41–2, 211n,<br />

226n<br />

narcissism, 36, 37, 170<br />

narration<br />

acts of, 44, 51, 52, 54, 58, 60, 124,<br />

161<br />

<strong>and</strong> author, 97, 116<br />

chains, 8, 147–50, 154, 161<br />

comment, 28, 30<br />

complicity, 28–9, 113, 116<br />

diegetic levels, 149, 150<br />

extradiegetic, 97, 113<br />

focalized (<strong>and</strong> non-) 33, 172<br />

frames, 127, 132, 134, 154, 158,<br />

159–61, 164, 184, 185<br />

free indirect discourse, 27–8, 84,<br />

85, 97, 98, 216n<br />

heterodiegetic, 60, 97, 113, 219n<br />

homodiegetic, 97, 114, 123, 125<br />

impersonal, 98<br />

implied author, 60, 113, 114, 115,<br />

123, 137, 147, 150, 166<br />

implied reader, 60, 64, 113, 118,<br />

123, 137, 147, 150, 164, 166, 185,<br />

187<br />

instances (narrated/narrating), 114<br />

interior monologue, 27<br />

intradiegetic, 114<br />

letterwriting, 123<br />

lying, 124, 127, 136<br />

multiple, 119<br />

narrative <strong>and</strong> story time, 158<br />

non-linear, 119<br />

overhearing, 123–5<br />

point of view, 26–7<br />

self-conscious, 7–8, 123<br />

storytelling, 123, 124, 134<br />

unreliable, 119<br />

narrators, 27–8, 42, 50, 58, 84, 85,<br />

99, 100, 106, 108, 109, 113, 115,<br />

117, 123, 137, 142, 166, 188, 204<br />

Allan Quatermain (in King<br />

Solomon’s Mines <strong>and</strong> Allan<br />

Quatermain), 20, 25, 218n<br />

anonymous, 83, 159<br />

Decoud (in Nostromo), 123<br />

first-level, 53<br />

Jukes (in Typhoon), 123<br />

language teacher (in Under Western<br />

Eyes), 123, 125, 137, 141, 142,<br />

149–50, 152–3<br />

MacWhirr (in Typhoon), 123<br />

Karain, 51<br />

Marlow (in ‘Heart of Darkness’ <strong>and</strong><br />

Chance), 58, 59, 108, 114, 123,<br />

124, 125, 137, 154–61, 166, 167,<br />

175–6, 184<br />

mediating, 57, 61–3, 64<br />

Powell (in Chance), 155<br />

Razumov (in Under Western Eyes),<br />

123<br />

nature, 99, 100–1, 109, 110, 156<br />

Neale, Steve, 35, 36, 53, 170–1, 172,<br />

173, 183, 188, 229n<br />

New Woman, 2, 109<br />

Nietzsche, Friedrich, 29, 120, 136, 137<br />

non-European(s), 19, 32, 42<br />

ocularcentrism, 168<br />

Oedipal complex, 54<br />

other(ness) / alterity, 14, 15, 16–19,<br />

20–2, 24, 26–31, 36, 38, 39, 40, 43,

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!