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Essays on the Gita

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186 <str<strong>on</strong>g>Essays</str<strong>on</strong>g> <strong>on</strong> <strong>the</strong> <strong>Gita</strong>when <strong>the</strong> self-knowledge within him is released from this darkenvelope, that knowledge lights up like a sun <strong>the</strong> real self withinhim; he knows himself <strong>the</strong>n to be <strong>the</strong> soul supreme above <strong>the</strong>instruments of Nature. Pure, infinite, inviolable, immutable, heis no l<strong>on</strong>ger affected; no l<strong>on</strong>ger does he imagine himself to bemodified by her workings. By complete identificati<strong>on</strong> with <strong>the</strong>Impers<strong>on</strong>al he can, too, release himself from <strong>the</strong> necessity ofreturning by birth into her movement.And yet this liberati<strong>on</strong> does not at all prevent him fromacting. Only, he knows that it is not he who is active, but <strong>the</strong>modes, <strong>the</strong> qualities of Nature, her triple guṇas. “The man whoknows <strong>the</strong> principles of things thinks, his mind in Yoga (with<strong>the</strong> inactive Impers<strong>on</strong>al), ‘I am doing nothing’; when he sees,hears, touches, smells, eats, moves, sleeps, brea<strong>the</strong>s, speaks,takes, ejects, opens his eyes or closes <strong>the</strong>m, he holds that itis <strong>on</strong>ly <strong>the</strong> senses acting up<strong>on</strong> <strong>the</strong> objects of <strong>the</strong> senses.” Hehimself, safe in <strong>the</strong> immutable, unmodified soul, is bey<strong>on</strong>d <strong>the</strong>grip of <strong>the</strong> three gunas, triguṇātīta; he is nei<strong>the</strong>r sattwic, rajasicnor tamasic; he sees with a clear untroubled spirit <strong>the</strong> alternati<strong>on</strong>sof <strong>the</strong> natural modes and qualities in his acti<strong>on</strong>, <strong>the</strong>irrhythmic play of light and happiness, activity and force, rest andinertia. This superiority of <strong>the</strong> calm soul observing its acti<strong>on</strong> butnot involved in it, this traiguṇātītya, is also a high sign of <strong>the</strong>divine worker. By itself <strong>the</strong> idea might lead to a doctrine of <strong>the</strong>mechanical determinism of Nature and <strong>the</strong> perfect aloofness andirresp<strong>on</strong>sibility of <strong>the</strong> soul; but <strong>the</strong> <strong>Gita</strong> effectively avoids thisfault of an insufficient thought by its illumining super<strong>the</strong>isticidea of <strong>the</strong> Purushottama. It makes it clear that it is not in <strong>the</strong>end Nature which mechanically determines its own acti<strong>on</strong>; it is<strong>the</strong> will of <strong>the</strong> Supreme which inspires her; he who has alreadyslain <strong>the</strong> Dhritarashtrians, he of whom Arjuna is <strong>on</strong>ly <strong>the</strong> humaninstrument, a universal Soul, a transcendent Godhead is <strong>the</strong>master of her labour. The reposing of works in <strong>the</strong> Impers<strong>on</strong>alis a means of getting rid of <strong>the</strong> pers<strong>on</strong>al egoism of <strong>the</strong> doer, but<strong>the</strong> end is to give up all our acti<strong>on</strong>s to that great Lord of all,sarva-loka-maheśvara. “With a c<strong>on</strong>sciousness identified with <strong>the</strong>Self, renouncing all thy acti<strong>on</strong>s into Me, mayi sarvāṇi karmāṇi

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