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Essays on the Gita

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The Human Disciple 21actual language of <strong>the</strong> epic does not justify and, if pressed, wouldturn <strong>the</strong> straightforward philosophical language of <strong>the</strong> <strong>Gita</strong> intoa c<strong>on</strong>stant, laborious and somewhat puerile mystificati<strong>on</strong>. Thelanguage of <strong>the</strong> Veda and part at least of <strong>the</strong> Puranas is plainlysymbolic, full of figures and c<strong>on</strong>crete representati<strong>on</strong>s of thingsthat lie behind <strong>the</strong> veil, but <strong>the</strong> <strong>Gita</strong> is written in plain termsand professes to solve <strong>the</strong> great ethical and spiritual difficultieswhich <strong>the</strong> life of man raises, and it will not do to go behindthis plain language and thought and wrest <strong>the</strong>m to <strong>the</strong> serviceof our fancy. But <strong>the</strong>re is this much of truth in <strong>the</strong> view, that<strong>the</strong> setting of <strong>the</strong> doctrine though not symbolical, is certainlytypical, as indeed <strong>the</strong> setting of such a discourse as <strong>the</strong> <strong>Gita</strong>must necessarily be if it is to have any relati<strong>on</strong> at all with thatwhich it frames. Arjuna, as we have seen, is <strong>the</strong> representativeman of a great world-struggle and divinely-guided movementof men and nati<strong>on</strong>s; in <strong>the</strong> <strong>Gita</strong> he typifies <strong>the</strong> human soul ofacti<strong>on</strong> brought face to face through that acti<strong>on</strong> in its highestand most violent crisis with <strong>the</strong> problem of human life and itsapparent incompatibility with <strong>the</strong> spiritual state or even with apurely ethical ideal of perfecti<strong>on</strong>.Arjuna is <strong>the</strong> fighter in <strong>the</strong> chariot with <strong>the</strong> divine Krishnaas his charioteer. In <strong>the</strong> Veda also we have this image of <strong>the</strong>human soul and <strong>the</strong> divine riding in <strong>on</strong>e chariot through a greatbattle to <strong>the</strong> goal of a high-aspiring effort. But <strong>the</strong>re it is a purefigure and symbol. The Divine is <strong>the</strong>re Indra, <strong>the</strong> Master of <strong>the</strong>World of Light and Immortality, <strong>the</strong> power of divine knowledgewhich descends to <strong>the</strong> aid of <strong>the</strong> human seeker battling with <strong>the</strong>s<strong>on</strong>s of falsehood, darkness, limitati<strong>on</strong>, mortality; <strong>the</strong> battle iswith spiritual enemies who bar <strong>the</strong> way to <strong>the</strong> higher world ofour being; and <strong>the</strong> goal is that plane of vast being resplendentwith <strong>the</strong> light of <strong>the</strong> supreme Truth and uplifted to <strong>the</strong> c<strong>on</strong>sciousimmortality of <strong>the</strong> perfected soul, of which Indra is <strong>the</strong> master.The human soul is Kutsa, he who c<strong>on</strong>stantly seeks <strong>the</strong> seerknowledge,as his name implies, and he is <strong>the</strong> s<strong>on</strong> of Arjuna orArjuni, <strong>the</strong> White One, child of Switra <strong>the</strong> White Mo<strong>the</strong>r; he is,that is to say, <strong>the</strong> sattwic or purified and light-filled soul whichis open to <strong>the</strong> unbroken glories of <strong>the</strong> divine knowledge. And

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