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Essays on the Gita

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252 <str<strong>on</strong>g>Essays</str<strong>on</strong>g> <strong>on</strong> <strong>the</strong> <strong>Gita</strong>of <strong>the</strong> extreme Vedantists that it is <strong>on</strong>ly an appearance, a viewwhich strikes at <strong>the</strong> very roots of all works and acti<strong>on</strong>. Its way offormulating this element of its philosophical thought, — it mightbe d<strong>on</strong>e in a different way, — is to admit <strong>the</strong> Sankhya distincti<strong>on</strong>between <strong>the</strong> Soul and Nature, <strong>the</strong> power that knows, supportsand informs and <strong>the</strong> power that works, acts, provides all <strong>the</strong>variati<strong>on</strong>s of instrument, medium and process. Only it takes <strong>the</strong>free and immutable Soul of <strong>the</strong> Sankhyas, calls it in Vedanticlanguage <strong>the</strong> <strong>on</strong>e immutable omnipresent Self or Brahman, anddistinguishes it from this o<strong>the</strong>r soul involved in Nature, whichis our mutable and dynamic being, <strong>the</strong> multiple soul of things,<strong>the</strong> basis of variati<strong>on</strong> and pers<strong>on</strong>ality. But in what <strong>the</strong>n c<strong>on</strong>siststhis acti<strong>on</strong> of Nature?It c<strong>on</strong>sists in a power of process, Prakriti, which is <strong>the</strong> interplayof three fundamental modes of its working, three qualities,gunas. And what is <strong>the</strong> medium? It is <strong>the</strong> complex system ofexistence created by a graded evoluti<strong>on</strong> of <strong>the</strong> instruments ofPrakriti, which, as <strong>the</strong>y are reflected here in <strong>the</strong> soul’s experienceof her workings, we may call successively <strong>the</strong> reas<strong>on</strong> and <strong>the</strong> ego,<strong>the</strong> mind, <strong>the</strong> senses and <strong>the</strong> elements of material energy whichare <strong>the</strong> basis of its forms. These are all mechanical, a complexengine of Nature, yantra; and from our modern point of viewwe may say that <strong>the</strong>y are all involved in material energy andmanifest <strong>the</strong>mselves in it as <strong>the</strong> soul in Nature becomes awareof itself by an upward evoluti<strong>on</strong> of each instrument, but in <strong>the</strong>inverse order to that which we have stated, matter first, <strong>the</strong>nsensati<strong>on</strong>, <strong>the</strong>n mind, next reas<strong>on</strong>, last spiritual c<strong>on</strong>sciousness.Reas<strong>on</strong>, which is at first <strong>on</strong>ly preoccupied with <strong>the</strong> workings ofNature, may <strong>the</strong>n detect <strong>the</strong>ir ultimate character, may see <strong>the</strong>m<strong>on</strong>ly as a play of <strong>the</strong> three gunas in which <strong>the</strong> soul is entangled,may distinguish between <strong>the</strong> soul and <strong>the</strong>se workings; <strong>the</strong>n <strong>the</strong>soul gets a chance of disentangling itself and of going back toits original freedom and immutable existence. In Vedantic language,it sees <strong>the</strong> spirit, <strong>the</strong> being; it ceases to identify itself with<strong>the</strong> instruments and workings of Nature, with its becoming;it identifies itself with its true Self and being and recovers itsimmutable spiritual self-existence. It is <strong>the</strong>n from this spiritual

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