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Essays on the Gita

Essays on the Gita

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380 <str<strong>on</strong>g>Essays</str<strong>on</strong>g> <strong>on</strong> <strong>the</strong> <strong>Gita</strong>and mo<strong>on</strong>s, has a face of blazing fire and is ever burning up<strong>the</strong> whole universe with <strong>the</strong> flame of his energy. The form ofhim is fierce and marvellous and al<strong>on</strong>e it fills all <strong>the</strong> regi<strong>on</strong>sand occupies <strong>the</strong> whole space between earth and heaven. Thecompanies of <strong>the</strong> gods enter it, afraid, adoring; <strong>the</strong> Rishis and<strong>the</strong> Siddhas crying “May <strong>the</strong>re be peace and weal” praise it withmany praises; <strong>the</strong> eyes of Gods and Titans and Giants are fixed<strong>on</strong> it in amazement. It has enormous burning eyes; it has mouthsthat gape to devour, terrible with many tusks of destructi<strong>on</strong>;it has faces like <strong>the</strong> fires of Death and Time. The kings and<strong>the</strong> captains and <strong>the</strong> heroes <strong>on</strong> both sides of <strong>the</strong> world-battleare hastening into its tusked and terrible jaws and some areseen with crushed and bleeding heads caught between its teethof power; <strong>the</strong> nati<strong>on</strong>s are rushing to destructi<strong>on</strong> with helplessspeed into its mouths of flame like many rivers hurrying in <strong>the</strong>ircourse towards <strong>the</strong> ocean or like moths that cast <strong>the</strong>mselves <strong>on</strong>a kindled fire. With those burning mouths <strong>the</strong> Form of Dreadis licking all <strong>the</strong> regi<strong>on</strong>s around; <strong>the</strong> whole world is full of hisburning energies and baked in <strong>the</strong> fierceness of his lustres. Theworld and its nati<strong>on</strong>s are shaken and in anguish with <strong>the</strong> terrorof destructi<strong>on</strong> and Arjuna shares in <strong>the</strong> trouble and panic aroundhim; troubled and in pain is <strong>the</strong> soul within him and he finds nopeace or gladness. He cries to <strong>the</strong> dreadful Godhead, “Declare tome who thou art that wearest this form of fierceness. Salutati<strong>on</strong>to <strong>the</strong>e, O thou great Godhead, turn thy heart to grace. I wouldknow who thou art who wast from <strong>the</strong> beginning, for I knownot <strong>the</strong> will of thy workings.”This last cry of Arjuna indicates <strong>the</strong> double intenti<strong>on</strong> in <strong>the</strong>visi<strong>on</strong>. This is <strong>the</strong> figure of <strong>the</strong> supreme and universal Being, <strong>the</strong>Ancient of Days who is for ever, sanātanaṁ puruṣaṁ purāṇam,this is he who for ever creates, for Brahma <strong>the</strong> Creator is <strong>on</strong>e of<strong>the</strong> Godheads seen in his body, he who keeps <strong>the</strong> world alwaysin existence, for he is <strong>the</strong> guardian of <strong>the</strong> eternal laws, but whois always too destroying in order that he may new-create, whois Time, who is Death, who is Rudra <strong>the</strong> Dancer of <strong>the</strong> calm andawful dance, who is Kali with her garland of skulls tramplingnaked in battle and flecked with <strong>the</strong> blood of <strong>the</strong> slaughtered

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