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NPNF2-08. Basil: Letters and Select Works - Holy Bible Institute

NPNF2-08. Basil: Letters and Select Works - Holy Bible Institute

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On the Firmament.thus dew, the frost, cold <strong>and</strong> heat, which in Daniel are ordered to praise the Creator of allthings, 1516 will be intelligent <strong>and</strong> invisible natures. But this is only a figure, accepted assuch by enlightened minds, to complete the glory of the Creator. Besides, the waters abovethe heavens, these waters privileged by the virtue which they possess in themselves, are notthe only waters to celebrate the praises of God. “Praise the Lord from the earth, ye dragons<strong>and</strong> all deeps.” 1517 Thus the singer of the Psalms does not reject the deeps which our inventorsof allegories rank in the divisions of evil; he admits them to the universal choir of creation,<strong>and</strong> the deeps sing in their language a harmonious hymn to the glory of the Creator.10. “And God saw that it was good.” God does not judge of the beauty of His work bythe charm of the eyes, <strong>and</strong> He does not form the same idea of beauty that we do. What Heesteems beautiful is that which presents in its perfection all the fitness 1518 of art, <strong>and</strong> thatwhich tends to the usefulness of its end. He, then, who proposed to Himself a manifestdesign in His works, approved each one of them, as fulfilling its end in accordance with Hiscreative purpose. A h<strong>and</strong>, an eye, or any portion of a statue lying apart from the rest, wouldlook beautiful to no one. But if each be restored to its own place, the beauty of proportion,until now almost unperceived, would strike even the most uncultivated. But the artist, beforeuniting the parts of his work, distinguishes <strong>and</strong> recognises the beauty of each of them,thinking of the object that he has in view. It is thus that Scripture depicts to us the SupremeArtist, praising each one of His works; soon, when His work is complete, He will accordwell deserved praise to the whole together. Let me here end my discourse on the secondday, to allow my industrious hearers to examine what they have just heard. May theirmemory retain it for the profit of their soul; may they by careful meditation inwardly digest<strong>and</strong> benefit by what I say. As for those who live by their work, let me allow them to attendall day to their business, so that they may come, with a soul free from anxiety, to the banquetof my discourse in the evening. May God who, after having made such great things, putsuch weak words in my mouth, grant you the intelligence of His truth, so that you may raise1516 Bened.1517 Ps. cxlviii. 7.1518 καλον μὲν οὖν ἐστιν ὃ ἂν δ᾽ αὑτὸ αἱρετὸν ὂν ἐπαινετὸν ᾖ, ὃ ἂν ἀγαθὸν ὂν ἡδὺ ᾖ ὅτι ἀγαθόν. Arist.,Rhet. i. 9. cf. E. Burke (On the Sublime <strong>and</strong> Beautiful, iii. § 6): “It is true that the infinitely wise <strong>and</strong> good creatorhas, of his bounty, frequently joined beauty to those things which he has made useful to us. But this does notprove that our idea of use <strong>and</strong> beauty are the same thing, or that they are in any way dependent on each other.”Dr. Johnson instances a painting on a coffee-cup as beautiful, but not useful. “Boswell,” Ann. 1772. St. <strong>Basil</strong>’sidea is in accord with that of Ruskin (Mod. P. chap. vi.). “In all high ideas of beauty it is more than probablethat much of the pleasure depends on delicate <strong>and</strong> untraceable perception of fitness, propriety, <strong>and</strong> relation,which are purely intellectual, <strong>and</strong> through which we arrive at our noblest ideas of what is commonly <strong>and</strong> rightlycalled ‘intellectual beauty.’”289

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