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Shamans, Supernaturals & Animal Spirits: Mythic Figures From the Ancient Andes

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174<br />

Section from a Tunic<br />

Heads and Skull Motifs<br />

Late or post-Wari style (Chachapoyas?)<br />

Circa AD 800-1000<br />

Camelid wool; tapestry weave<br />

20" x 27"<br />

The kaleidoscopic patterning on this tunic is extremely atypical,<br />

suggesting that it originates from an outpost of <strong>the</strong> Wari Empire<br />

(possibly <strong>the</strong> eastern tropical Chachapoyas region), where different<br />

stylistic conventions prevailed. The cryptic or scrambled imagery<br />

indicates that <strong>the</strong> textile dates to <strong>the</strong> very end of <strong>the</strong> timeline defined<br />

by Wari domination (<strong>the</strong> Middle Horizon), if not multiple decades later.<br />

The standard columnar layout, for example, is entirely subverted by a<br />

compositional density that leaves no room for <strong>the</strong> solid color bands<br />

that usually subdivide <strong>the</strong> visual plane. Never<strong>the</strong>less, <strong>the</strong> expansion/<br />

contraction dynamic of <strong>the</strong> primary image, as well as <strong>the</strong> alternation<br />

between frontal and side views, are kept.<br />

Skulls and profile heads (details at left), fitted toge<strong>the</strong>r in an intricate<br />

mosaic, combine into larger figures that evoke animal forms. Spirals,<br />

figure eights, hooks and wavy lines (tails? ears?) inject curvilinearity into<br />

a composition dominated by groups of squared circles and hexagons<br />

(eyes, mouths) outlined in white on a red ground.<br />

102

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