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Shamans, Supernaturals & Animal Spirits: Mythic Figures From the Ancient Andes

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279<br />

Adornment for a Fea<strong>the</strong>red Crown or Headdress<br />

Warrior in Conical Helmet<br />

Chimú culture<br />

AD 1300-1476<br />

Cut and glued macaw and parrot fea<strong>the</strong>rs<br />

3½" x 2"<br />

Literature<br />

de Lavalle 1988, 246.<br />

280<br />

Adornments for a Fea<strong>the</strong>red Crown or Headdress<br />

Stylized Faces<br />

Chancay culture<br />

AD 1300-1476<br />

Cut and glued macaw and parrot fea<strong>the</strong>rs<br />

3" x 1"<br />

Brilliantly iridescent tunics, tabards, headdresses, ear spools<br />

and o<strong>the</strong>r regalia adorned with fea<strong>the</strong>rwork designs were<br />

among <strong>the</strong> most luxurious and prestigious items of dress<br />

created for <strong>the</strong> Chimor and Chancay elite.<br />

These tiny mosaic faces, executed with finely cut, multicolored<br />

fea<strong>the</strong>rs, probably once topped elaborate plumed headdresses<br />

or crowns placed over <strong>the</strong> "false heads" of important mummy<br />

bundles. Fea<strong>the</strong>red crests were also affixed to <strong>the</strong> large ceramic<br />

male and female effigies for which <strong>the</strong> Chancay culture is<br />

famous.<br />

The two vibrant figurative ornaments in cat. 280 were possibly<br />

originally attached to <strong>the</strong> same object, but <strong>the</strong>ir distinct colors<br />

and features (rounded or square eyes and mouth) yield a variety<br />

of facial expressions, which are generally absent from <strong>the</strong> static<br />

visages common to Chancay figuration. The Chimú head<br />

(above) wears a distinctive type of conical helmet, possibly<br />

associated with warriors.<br />

255

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