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Shamans, Supernaturals & Animal Spirits: Mythic Figures From the Ancient Andes

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282<br />

Fragment from a Garment<br />

Bird Handler with Captive Birds<br />

Chancay culture<br />

AD 1300-1476<br />

Cotton; tapestry weave<br />

4½" x 4½"<br />

Andean people trapped, bred and kept many kinds of birds captive—not solely as sources of<br />

food, but also for religious sacrifices as well as for ritual and aes<strong>the</strong>tic purposes. Prime among<br />

<strong>the</strong>se were birds with striking plumage such as <strong>the</strong> Muscovy duck and <strong>the</strong> macaw parrots, whose<br />

fea<strong>the</strong>rs were plucked to adorn ceremonial textiles and artifacts.<br />

Unlike most individuals portrayed in Andean iconography, who usually project elevated or<br />

supernatural status, <strong>the</strong> Bird Keeper depicted here is clearly of ordinary rank. Never<strong>the</strong>less he wears<br />

a tie-dyed, patterned shirt and headband, and his role must have been sufficiently important to<br />

Chancay society to merit being recorded in a textile design.<br />

The brown-and-white color scheme is typical of <strong>the</strong> Chancay aes<strong>the</strong>tic, which exploited <strong>the</strong> graphic<br />

possibilities of contrasting undyed or naturally colored cotton yarns as much as those achieved with<br />

more vivid colors.<br />

257

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