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Shamans, Supernaturals & Animal Spirits: Mythic Figures From the Ancient Andes

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160<br />

Section from a Tunic<br />

Abstracted Feline<br />

Wari-related style (Chachapoyas?)<br />

Circa AD 1000<br />

Camelid wool; interlocking tapestry weave<br />

35" x 21"<br />

At <strong>the</strong> periphery of <strong>the</strong> Wari Empire, especially during <strong>the</strong> period of its decline, <strong>the</strong><br />

standardized, widespread repertory of supernatural icons was seemingly reproduced<br />

with less understanding of both <strong>the</strong> artistic conventions and <strong>the</strong> sacred iconography.<br />

This tapestry tunic from an unidentified tradition (Chachapoyas? Nasca?) seems to<br />

be more concerned with resembling a typical Wari creation than with fulfilling <strong>the</strong><br />

aes<strong>the</strong>tic criteria and canons of <strong>the</strong> official ideology and imagery promulgated by that<br />

culture. That motivation never<strong>the</strong>less communicates <strong>the</strong> extraordinary prestige of <strong>the</strong><br />

imperial-style weavings, and is reflected in <strong>the</strong> technical refinement and artful color<br />

dyeing.<br />

The eccentric translation of <strong>the</strong> staff-bearer in its feline aspect betrays <strong>the</strong> weaver’s (or<br />

society's) ignorance of <strong>the</strong> standard icon. The figure has reverted to a surreal version of<br />

<strong>the</strong> jaguar form, although it is debatable whe<strong>the</strong>r <strong>the</strong> flamboyant patterning is garbled<br />

or rusticated, or whe<strong>the</strong>r <strong>the</strong> artist was simply confident that <strong>the</strong> mythological reference<br />

would be understood.<br />

72

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