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Shamans, Supernaturals & Animal Spirits: Mythic Figures From the Ancient Andes

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259<br />

Fragment from a Tunic (left, bottom)<br />

Staffbearer<br />

North Coast culture (Huarmey style)<br />

AD 1000-1476<br />

Camelid wool; tapestry<br />

3¾" x 2½"<br />

The conventional standing staff-bearer (of Wari parentage)<br />

is given a novel treatment by being compressed into a<br />

frog-like being with webbed feet.<br />

An oval motif (navel? pectoral?) set within <strong>the</strong> truncated torso<br />

suggests a wide-open mouth, generating a secondary enlarged<br />

face.<br />

260<br />

Miniature Pouch (above)<br />

Anthropomorphic Toad or Frog<br />

Chancay culture<br />

AD 1000-1476<br />

Cotton, camelid wool; complementary<br />

weft weave? brocade?<br />

3" x 4¼"<br />

Literature<br />

Rowe 1977, 44, fig. 44a.<br />

As noted in many historical accounts, toads had an ominous<br />

aspect in addition to <strong>the</strong>ir more positive role in heralding<br />

<strong>the</strong> arrival of rain. The indigenous Chronicler Huamán Poma,<br />

for example, spoke of sorcerers fashioning toad fetishes and<br />

using toad or snake venom to kill people.<br />

Perhaps such connotations were evoked by this linearstyle<br />

anthropomorphic frog, whose posture is a twist on <strong>the</strong><br />

traditional Andean gesture of awe and veneration.<br />

240

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