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Shamans, Supernaturals & Animal Spirits: Mythic Figures From the Ancient Andes

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157<br />

Section from a Tunic<br />

Interlocking Reptilian Figure<br />

Tiwanaku-related culture?<br />

AD 600-900<br />

Camelid wool; interlocking tapestry weave<br />

15" x 9"<br />

A<br />

striking contrast of hue and shade enhances <strong>the</strong> brilliant<br />

interplay of inversion, reflection and opposition in this<br />

narrow pattern band. There are three tonalities of indigo,<br />

ranging from dark and light blue to a distinctive turquoise that<br />

suggests <strong>the</strong> textile was produced within Tiwanaku’s sphere of<br />

influence. The interlocking geometric design is reminiscent of<br />

iconography explored by pre-Columbian cultures in nor<strong>the</strong>rn<br />

Chile as well as sou<strong>the</strong>rn Peru.<br />

A schematic anthropomorphic figure is symmetrically mirrored<br />

across <strong>the</strong> color divide, top to bottom and side to side. The<br />

bisected head is set upon a lizard-like body composed of spirals,<br />

hooks and serrated diagonals. These graphic elements possibly<br />

derive from <strong>the</strong> classic face/fret combination (see cat. 154), and<br />

may be symbolically associated with water and mountains.<br />

67

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