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Shamans, Supernaturals & Animal Spirits: Mythic Figures From the Ancient Andes

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187<br />

Fragment<br />

"Moon <strong>Animal</strong>" (Coati/Fox/Feline)<br />

Late Wari-related culture (North-Central Coast)<br />

AD 800-1000<br />

Cotton, camelid wool; supplementary weft<br />

7½" x 8"<br />

Rendered here with greater solidity of line and color,<br />

<strong>the</strong> related motifs from <strong>the</strong>se two separate textiles<br />

are similar in style and reference to <strong>the</strong> variety of figures<br />

incorporated into <strong>the</strong> design of cat. 185. The imagery<br />

evidently reflects <strong>the</strong> animal cosmologies of <strong>the</strong> north<br />

central coast cultures.<br />

The creatures are typically characterized by an elongated,<br />

jagged snout or mouth and protruding ears. One of <strong>the</strong><br />

most common representations is as a seated profile figure<br />

displaying <strong>the</strong> curving tail, three-toed or clawed foot and<br />

markings of <strong>the</strong> mythical “moon animal" that improbably<br />

blends coati, fox and feline traits (cat. 187).<br />

On <strong>the</strong> o<strong>the</strong>r hand, <strong>the</strong> silhouette of <strong>the</strong> standing<br />

quadruped portrayed in cat. 186 (left) apparently describes<br />

a llama or alpaca—animals of enormous economic and<br />

cultural significance to Andean cultures. As shown here,<br />

<strong>the</strong> camelid does indeed sport long, banana-shaped ears<br />

and a cloven hoof. But <strong>the</strong> artist has equally managed to<br />

use <strong>the</strong> illusion of visual depth to convey <strong>the</strong> impression<br />

of four legs planted solidly on <strong>the</strong> ground. The dangling<br />

ornament may allude to highland practices of hanging<br />

small pouches stuffed with herbs and coca leaf around <strong>the</strong><br />

animals’ necks.<br />

127

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