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Shamans, Supernaturals & Animal Spirits: Mythic Figures From the Ancient Andes

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270<br />

Motif from a Mantle or Hanging?<br />

Oystercatcher<br />

Chancay culture<br />

Circa AD 1300<br />

Cotton, camelid wool; plain weave, embroidery<br />

6" x 7"<br />

269<br />

Motif from a Mantle or Hanging?<br />

Stilt<br />

Chancay culture<br />

Circa AD 1300<br />

Cotton, camelid wool; plain weave, embroidery<br />

7" x 8½"<br />

Literature<br />

Amano Museum 1979b, fig. 219.<br />

Anton 1984, fig. 37.<br />

Although <strong>the</strong>se embroidered motifs are very<br />

similar, subtle differences in <strong>the</strong> lengths and<br />

curves of <strong>the</strong> birds’ red bills and legs identify two<br />

different types of shorebird—Haematopus palliatus and<br />

Phoenicopterus chilensis. Both species are commonly<br />

seen beachcombers along <strong>the</strong> coastal mudflats,<br />

lagoons and beaches of <strong>the</strong> Pacific coast.<br />

The birds’ instantly recognizable, striking, blackand-white<br />

plumage and ringed eyes are realistically<br />

represented. But this naturalism is tempered by <strong>the</strong><br />

more puzzling inclusion of flamingo-like pink and<br />

yellow tail fea<strong>the</strong>rs. That detail is noteworthy, because<br />

although <strong>the</strong> south coast of Peru is home to huge<br />

colonies of flamingos, that bird is rarely represented<br />

in imagery (even though its pink-tinged fea<strong>the</strong>rs<br />

were frequently used for regalia).<br />

248

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