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Shamans, Supernaturals & Animal Spirits: Mythic Figures From the Ancient Andes

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136<br />

Band or Belt<br />

A Procession of Felines<br />

Tiwanaku or Pukara style<br />

AD 100-400<br />

Camelid wool; tapestry weave<br />

2½" x 25"<br />

The crouching pumas depicted in this narrow band are reminiscent of Pukara<br />

feline-shaped effigies and sculptural incense vessels that were used for burning<br />

ritual offerings. The cross motif apparently derives from <strong>the</strong> jaguar's pelt markings<br />

(as in Chavín feline mortars), but in <strong>the</strong> sou<strong>the</strong>rn sierra it seems to have become a<br />

widely employed sign or cosmogram. The “raining" or “weeping" eye is similarly<br />

ubiquitous and symbolically charged.<br />

The composition is an undulating play of interlocking blues and greens. These<br />

harmonious hues surely had special connotations for being redolent of a greentinted<br />

gravel that was obtained from riverbeds in <strong>the</strong> sacred Quimsachata mountains<br />

and used to surface <strong>the</strong> terraces of <strong>the</strong> Akapana temple. 1 The meandering white<br />

outline separating <strong>the</strong>se two colors, which are so close in chromatic value, leads <strong>the</strong><br />

eye through <strong>the</strong> pattern field of geometric shapes.<br />

1 Alan Kolata, "The Flow of Cosmic Power," in Tiwanaku: Ancestors of <strong>the</strong> Inkas, ed. Margaret Young-Sanchez<br />

(2004): 100.<br />

20

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