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Shamans, Supernaturals & Animal Spirits: Mythic Figures From the Ancient Andes

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248<br />

Textile Figurine<br />

Man with Coatimundi<br />

Central or North Coast culture (Chimú)<br />

AD 1100-1476<br />

Cotton, camelid wool; cross-knit looping, embroidery<br />

6" high<br />

This unique and appealing portrayal of a man with a pet coati clambering over his<br />

shoulder is clearly related to <strong>the</strong> assemblage of figures shown in cat. 247. It is likely<br />

that all <strong>the</strong>se figurines were fabricated by <strong>the</strong> same hand (or workshop) or for <strong>the</strong> same<br />

purpose.<br />

The character’s physical features and attire (including <strong>the</strong> bright white zigzag around <strong>the</strong><br />

waist and headdress) are identical in style to those of <strong>the</strong> family group.<br />

In <strong>the</strong> Tello tableau cited above, <strong>the</strong> personages are accompanied by dogs. Seemingly<br />

that role is adapted here to refer to a more unusual animal, <strong>the</strong> ring-tailed coati (Nasua<br />

nasua), which often appears in north coast iconography.<br />

These small mammals were native to <strong>the</strong> jungle and higher cloud forest regions of<br />

north central Peru. But coatis were clearly regarded as exotic, magical creatures by<br />

coastal peoples. And as this image indicates, <strong>the</strong>y may have been kept as pets, or for some<br />

unknown role in divination or shamanic rituals. The Campa people of <strong>the</strong> Peruvian<br />

montaña, for example, call coatis "<strong>the</strong> dogs of <strong>the</strong> jaguar shamans." 1<br />

1 Nicholas Saunders, “Architecture of Symbolism: The Feline Image,” in Icons of Power: Feline Symbolism in <strong>the</strong> Americas<br />

(1998): 200.<br />

226

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