Shamans, Supernaturals & Animal Spirits: Mythic Figures From the Ancient Andes

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262 Band from a Garment Bird with Hooked Beak Central Coast culture (Chancay) AD 1200-1476 Camelid wool; tapestry weave 3½" x 8" The visual and symbolic cohesiveness of Andean textile design is demonstrated by the way this pair of mythical birds with ostentatious feather combs is echoed within the contours of the step-and-spiral frame. A subtly striated background, woven in golden tones, supplies a luminous backdrop for the colorful and sharply defined motifs. The conventional cresting wave–pattern band reads simultaneously as a row of interlocking seabirds. Collectively, the design projects one elemental concept—the ocean. This crested bird (or related versions) was a familiar figure among the marine symbology painted and carved on the walls of temples and palaces constructed on the central and north coast, from Pachacamac to the Moche Valley. This image potentially alludes to several local species of birds (both resident and migratory), which flaunt crests, bristles, erectile crowns or ornamental plumes dangling behind their necks. These include the Guanay cormorant, a crested duck (Anas specularioides) and various types of herons, such as the night heron (Niycticorax nycticorax). Although some is fairly inconspicuous, this decorative plumage was seemingly regarded as analogous to the spectacular feathered crowns and headdresses worn as emblems of supreme status by the most elite persons in Chimú and Chancay society. 242
263 Panel from a Loincloth? Crested Birds Chancay culture AD 1200-1476 Cotton, camelid wool?; plain weave, slit tapestry weave, twisted fringe 12" x 6" Literature Stone-Miller 1992b, 148-149, plate 50. 243
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SHAMANS, SUPERNATURALS & ANIMAL SPI
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SHAMANS, SUPERNATURALS & ANIMAL SPI
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VOLUME ONE Map of Pre-Columbian And
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500 BC 0 AD 500 AD 1000 AD 1500 PAR
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Tiwanaku and Pukara Cultures Tiwana
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133 Band from a Tunic The Radiant C
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135 Band A Procession of Supernatur
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136 Band or Belt A Procession of Fe
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137 Fragment from a Tunic Avian Sta
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138 Fragment from a Tunic Band A Cu
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139 Fragment from the Border of a T
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141 Shaped Sash or Votive Panel Myt
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142 Band Dismembered Warrior Pukara
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WARI
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state clearly either alludes to a s
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144 Fragment from a Tunic Avian Att
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146 Fragment from the Shoulder of a
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147 Panel from a Tunic Winged Jagua
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149 Panel from a Tunic Transforming
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150 Fragment from a Tunic Transform
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152 Section from a Tunic Staff-Bear
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155 Section from a Tunic Profile He
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The graphics of this motif from a W
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159 Fragments from a Tunic (with mo
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161 Fragment from a Tunic Warriors?
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163 Fragment from a Tunic Ritual Sa
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165 Fragment of a Headband (left) P
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168 Headband (partial) Human Sacrif
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169 Sash or Headband Decapitator wi
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170 Corner from a Mantle Profile He
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171 Four-Cornered Hat Running Staff
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172 Shin Guard Wari culture AD 600-
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PROVINCIAL WARI WARI-RELATED STYLES
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173 Portion of a Tunic Staff Deity
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HUARI
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176 Bands from a Tunic Crouching Fe
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178 Fragment from a Tunic A Puffer
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180 Panel from a Tunic Mythical Fel
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182 Corner from a Mantle Entwined F
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184 Fragment from a Mantle or Hangi
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185 Double Panel Serpentine Creatur
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187 Fragment "Moon Animal" (Coati/F
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188 Fragment from a Tunic "Moon Ani
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190 Band from a Tunic Quadruped Coa
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194 Corner from a Ritual Cloth? Min
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Moche Wari and Huarmey Cultures The
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197 Fragment from a Tunic or Sleeve
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199 Sleeve or Band from a Tunic Dec
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201 Panel "Monkey" Lord Moche-Wari
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203 Panel from a Tunic Feline and W
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205 Border from a Tunic Mythical Cr
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207 Band from a Tunic? Warrior with
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209 Band "Water Cat" Coastal Wari c
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Chimú and Lambayeque, Chancay and
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of Chanchán’s palatial and admin
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213 Band from a Tunic Ritualist wit
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214 Panel from a Border Narrative S
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215 Fragment from a Garment or Hang
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217 Tassel or Embellishment for a G
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219 Sash with Tab Ends (fragmentary
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222 Panel from a Tunic? Personage i
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Page 202: 229 Band Coati/Fox/Feline Chimú or
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Page 208 and 209: 232 Multi-tiered Tassel from a Cere
Page 210 and 211: 233 Fragment from a Garment Scorpio
Page 212 and 213: 234 Three-Dimensional Tassel from a
Page 214 and 215: 236 Sash with Tassels Crowned Birds
Page 216 and 217: 238 Tassel or Figurine Fierce Face
Page 218 and 219: 240 Ceremonial Sling (fragmentary)
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Page 222 and 223: 245 Votive Figure (left) Monkey Nor
Page 224 and 225: 247 Textile Figurines Family Group
Page 226 and 227: 248 Textile Figurine Man with Coati
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Page 230 and 231: 250 Textile Figurine Woman with Fac
Page 232 and 233: 251 Textile Figurine (unfinished or
Page 234 and 235: 253 Ornamental Pin (right) Wari-inf
Page 236 and 237: 256 Three-Dimensional Textile Adorn
Page 238 and 239: 257 Textile Pendant Splayed Frogs o
Page 240 and 241: 259 Fragment from a Tunic (left, bo
Page 244 and 245: Imagery from assorted textiles offe
Page 246 and 247: 267 Painted Frieze Interlocking Fig
Page 248: 270 Motif from a Mantle or Hanging?
Page 251 and 252: 271 Motif from a Mantle or Tunic Fl
Page 253 and 254: 276 Votive Figurine Scarlet Macaw C
Page 255 and 256: 279 Adornment for a Feathered Crown
Page 257 and 258: 282 Fragment from a Garment Bird Ha
Page 259 and 260: 284 Design Square from a Garment Fe
Page 261 and 262: 286 Fragment from a Tunic Monkey Pe
Page 264 and 265: 288 Three-Dimensional Votive Effigy
Page 266 and 267: 289 Three-Dimensional Animal Figuri
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Page 272 and 273: 292 Votive Fiber Sculpture Anaconda
Page 274 and 275: 293 Votive or Dance Ornaments Snake
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Inka Culture The extraordinary phen
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Although there were many types of t
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304 Coca Bag (chuspa) Chuquibamba s
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1999 Painted Chavín Textiles from
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Rowe, Ann Pollard 1984 Costumes and
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Shamans, Supernaturals & Animal Spirits: Mythic Figures From the Ancient Andes

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