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Shamans, Supernaturals & Animal Spirits: Mythic Figures From the Ancient Andes

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213<br />

Band from a Tunic<br />

Ritualist with Staff<br />

Lambayeque culture<br />

AD 1000-1375<br />

Cotton, camelid wool; slit tapestry weave<br />

8½" x 4"<br />

Literature<br />

Schmidt 1929, 493, 494.<br />

Despite <strong>the</strong> underlying rectilinear structure established by <strong>the</strong> warp and weft, this<br />

unusual image achieves a distinctive curving line closer in style to fineline drawing<br />

or painting.<br />

Delicate spirals impart an energetic quality to an abstract cruciform motif, which is<br />

carried through in <strong>the</strong> strong sense of forward motion conveyed by <strong>the</strong> stooped or<br />

leaning figure, <strong>the</strong> streaming fea<strong>the</strong>rs decorating his conical helmet and <strong>the</strong> crooked staff.<br />

This odd version of <strong>the</strong> standard emblem terminates in a human head. The attributes<br />

(especially <strong>the</strong> posture and staff) suggest that <strong>the</strong>y identify a specific character from<br />

legend or history.<br />

The rich brown color palette, offset by a judicious use of bright white, is typical of<br />

north coast traditions from <strong>the</strong> Lambayeque or Pacatnamu region. The textile is related<br />

to material discovered at Pachacamac, <strong>the</strong> famed pilgrimage and oracle center on <strong>the</strong><br />

central coast, which evidently received tribute from across <strong>the</strong> Chimú realm.<br />

176

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