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Shamans, Supernaturals & Animal Spirits: Mythic Figures From the Ancient Andes

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183<br />

Pair of Sleeves from a Tunic<br />

An Interlocking Bestiary<br />

Wari-related style (North-Central Coast?)<br />

AD 800-1000<br />

Cotton, camelid wool; weft patterning<br />

6" x 15"<br />

Provenance<br />

William Conklin Collection, sold by So<strong>the</strong>by's New York, May 1989.<br />

A<br />

perceptually challenging effect is achieved in <strong>the</strong> design of <strong>the</strong>se sleeves through<br />

multiple superimposed figures, each one individuated by color, but lending parts<br />

of its own features or body to <strong>the</strong> adjacent creatures.<br />

The pictorial complexity and color vibrancy is mesmerizing. For example, an inverted<br />

fox or coati, executed in yellow, provides limbs and torso for a bear-like creature,<br />

woven in black and blue (top). Similarly, an inverted bird describes <strong>the</strong> belly of a green<br />

or yellow llama-like animal, which in turn interpenetrates ano<strong>the</strong>r quadruped who is<br />

swallowing his tail (bottom).<br />

This layering of images may be <strong>the</strong> weaver's ingenious solution for crowding this<br />

menagerie into a small area. But <strong>the</strong> interconnectivity and interdependence of <strong>the</strong><br />

figures appears to make a metaphorical point, perhaps pertaining to Andean notions<br />

about <strong>the</strong> circulation of energy in <strong>the</strong> universe.<br />

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