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238<br />
Tassel or Figurine<br />
Fierce Face<br />
Central Coast culture<br />
AD 1000-1476<br />
Cotton, camelid wool; plain weave, looping,<br />
embroidery?<br />
6½" x 3¾"<br />
The elaborately worked textile embellishments applied to<br />
Chimú ceremonial garments usually depict generic faces<br />
and figures. However, many such stylized motifs have subtle<br />
characteristics that communicate a certain individualism—if<br />
not of <strong>the</strong> image, <strong>the</strong>n of <strong>the</strong> weaver artist who conceived and<br />
executed it.<br />
For example, <strong>the</strong> dangling earflaps attached to a comical woven<br />
face (cat. 239, opposite) may represent ears, hair braids or <strong>the</strong><br />
important crescent headdress displayed by supernatural and<br />
elite personages.<br />
Similarly, an unfinished or fragmentary head (which might<br />
have formed part of a tiered tassel or small fiber figurine) has<br />
a conspicuous mouth filled with pointed black-and-white<br />
crocodilian teeth (cat. 238, at left).<br />
The face shows a striking resemblance to several Chavínera<br />
images of supernatural beings found on <strong>the</strong> central coast,<br />
including a sacred puppet-like effigy with movable limbs that<br />
may have been used in rituals. 1 Thus what appears to be a<br />
minor detail on a small decorative object reveals <strong>the</strong> continuity<br />
of aes<strong>the</strong>tic and symbolic ideas in this region.<br />
1 Richard Burger, “A Sacred Effigy from Mina Perdida and <strong>the</strong> unseen ceremonies of<br />
<strong>the</strong> Peruvian Formative,” Res 33: 18-53.<br />
216