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Shamans, Supernaturals & Animal Spirits: Mythic Figures From the Ancient Andes

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238<br />

Tassel or Figurine<br />

Fierce Face<br />

Central Coast culture<br />

AD 1000-1476<br />

Cotton, camelid wool; plain weave, looping,<br />

embroidery?<br />

6½" x 3¾"<br />

The elaborately worked textile embellishments applied to<br />

Chimú ceremonial garments usually depict generic faces<br />

and figures. However, many such stylized motifs have subtle<br />

characteristics that communicate a certain individualism—if<br />

not of <strong>the</strong> image, <strong>the</strong>n of <strong>the</strong> weaver artist who conceived and<br />

executed it.<br />

For example, <strong>the</strong> dangling earflaps attached to a comical woven<br />

face (cat. 239, opposite) may represent ears, hair braids or <strong>the</strong><br />

important crescent headdress displayed by supernatural and<br />

elite personages.<br />

Similarly, an unfinished or fragmentary head (which might<br />

have formed part of a tiered tassel or small fiber figurine) has<br />

a conspicuous mouth filled with pointed black-and-white<br />

crocodilian teeth (cat. 238, at left).<br />

The face shows a striking resemblance to several Chavínera<br />

images of supernatural beings found on <strong>the</strong> central coast,<br />

including a sacred puppet-like effigy with movable limbs that<br />

may have been used in rituals. 1 Thus what appears to be a<br />

minor detail on a small decorative object reveals <strong>the</strong> continuity<br />

of aes<strong>the</strong>tic and symbolic ideas in this region.<br />

1 Richard Burger, “A Sacred Effigy from Mina Perdida and <strong>the</strong> unseen ceremonies of<br />

<strong>the</strong> Peruvian Formative,” Res 33: 18-53.<br />

216

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