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Shamans, Supernaturals & Animal Spirits: Mythic Figures From the Ancient Andes

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167<br />

Headband (partial)<br />

Human Sacrifice or Offering<br />

Wari-related culture (Chachapoyas? South Coast?)<br />

AD 600-1000<br />

Cotton, camelid wool; tapestry weave<br />

10½" x 2½"<br />

An extremely unusual depiction of a dismembered body (possibly laid on a shroud<br />

or litter) supplies a focus for this headband (which, though incomplete, preserves a<br />

checkerboard tab at one end). The eccentric, cursive style of drawing is also distinctive.<br />

A large green head is juxtaposed with a man’s shirt and breechcloth, which are placed<br />

in <strong>the</strong> appropriate spots (if <strong>the</strong>re were an actual body). Motifs suggesting <strong>the</strong> severed<br />

hands and feet of <strong>the</strong> victim occupy each corner. The removal of a warrior’s clo<strong>the</strong>s<br />

prior to mutilating or sacrificing him was a common <strong>the</strong>me in antecedent Nasca and<br />

Moche iconography.<br />

An alternative reading of this pattern block yields <strong>the</strong> outline and head of a crouching<br />

animal (compare with cat. 176, detail below). This second, more cryptic, glyphlike motif<br />

fits <strong>the</strong> sacrificial <strong>the</strong>me by combining animal elements (feline head, tail) within a<br />

spiraling design (tail?) that terminates in a trophy head.<br />

85

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