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Shamans, Supernaturals & Animal Spirits: Mythic Figures From the Ancient Andes

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253<br />

Ornamental Pin (right)<br />

Wari-influenced North Coast culture (Chimú?)<br />

Circa AD 1000?<br />

Bone, camelid wool; cross-knit looping, embroidery<br />

11" long (cord 5")<br />

254<br />

Tasseled Sash (left)<br />

Wari-influenced North Coast culture (Chimú?)<br />

Circa AD 1000?<br />

Camelid wool; weft-face weave (knitting?), embroidery<br />

20" high<br />

Although provenience information is lacking, <strong>the</strong> evident<br />

similarities between <strong>the</strong>se two objects (in terms of<br />

material, coloration and design) strongly indicate that <strong>the</strong>y<br />

are from <strong>the</strong> same mummy bundle or cemetery. Indeed, <strong>the</strong>y<br />

appear to have been produced by <strong>the</strong> same hand or workshop.<br />

The fanciful and beautifully detailed pin (cat.253), with its<br />

bifurcated tassel, may have been used to secure a fabric turban,<br />

headband or o<strong>the</strong>r type of cloth or garment. (It also resembles<br />

a weaving implement.)<br />

Identical stylized faces are repeated in <strong>the</strong> tassel of <strong>the</strong> colorful<br />

matching belt or tie (cat. 254). A three-dimensional nose lends<br />

a jaunty air to what is more likely a representation of a trophy<br />

head or spirit.<br />

Figurative patterning, compressed and repeated along <strong>the</strong> narrow<br />

length of <strong>the</strong> finely executed sash, juxtaposes a zoomorphic<br />

motif (snake/feline) with <strong>the</strong> upper body of a schematic<br />

figure in <strong>the</strong> veneration pose. Wari aes<strong>the</strong>tic influence can be<br />

detected in <strong>the</strong> modular geometry and beautiful abstraction of<br />

<strong>the</strong> design.<br />

234

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