Shamans, Supernaturals & Animal Spirits: Mythic Figures From the Ancient Andes

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168 Headband (partial) Human Sacrifice or Offering Wari-related culture (Chachapoyas? South Coast?) AD 600-1000 Cotton, camelid wool; tapestry weave 19" x 1½" 86
Like an ancient prototype for the "skull and crossbones" of Western lore, the curious design woven into this headband juxtaposes two motifs: a florescent skull and a femur bone inlaid with a human face. It is likely that both the vivid red used for the background and the pink highlights in the faces and other small details were obtained from the cochineal insect, which had become the principal means for dyeing camelid wool during the Nasca period. 1 Bones and blood are the seeds of life and regeneration in Andean thought, which makes this imagery and hue suited to the powerful leader or warrior who may have worn it in life or battle (or equally, for his honored corpse). Skulls and bones were certainly regarded as war emblems as well in the Andes, as an Inka song suggests: "We will drink from our enemy's skull. We will make necklaces from his teeth. We will play a flute on his bones and drum from his skin." Wari skull-shaped beakers, discovered at the ceremonial center of Pachacamac, reveal this to have been an enduring and widespread theme. 1 Elena Phipps, "Cochineal Red: The Art History of a Color," The Metropolitan Museum of Art Bulletin (Winter 2010). 87
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SHAMANS, SUPERNATURALS & ANIMAL SPI
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SHAMANS, SUPERNATURALS & ANIMAL SPI
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VOLUME ONE Map of Pre-Columbian And
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500 BC 0 AD 500 AD 1000 AD 1500 PAR
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Tiwanaku and Pukara Cultures Tiwana
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133 Band from a Tunic The Radiant C
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135 Band A Procession of Supernatur
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136 Band or Belt A Procession of Fe
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137 Fragment from a Tunic Avian Sta
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138 Fragment from a Tunic Band A Cu
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139 Fragment from the Border of a T
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141 Shaped Sash or Votive Panel Myt
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142 Band Dismembered Warrior Pukara
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Page 43 and 44: 144 Fragment from a Tunic Avian Att
Page 46: 146 Fragment from the Shoulder of a
Page 49 and 50: 147 Panel from a Tunic Winged Jagua
Page 52: 149 Panel from a Tunic Transforming
Page 55 and 56: 150 Fragment from a Tunic Transform
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Page 59 and 60: 152 Section from a Tunic Staff-Bear
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Page 64 and 65: 155 Section from a Tunic Profile He
Page 66 and 67: The graphics of this motif from a W
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Page 70: 159 Fragments from a Tunic (with mo
Page 75 and 76: 161 Fragment from a Tunic Warriors?
Page 79: 163 Fragment from a Tunic Ritual Sa
Page 82 and 83: 165 Fragment of a Headband (left) P
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Page 88 and 89: 169 Sash or Headband Decapitator wi
Page 90 and 91: 170 Corner from a Mantle Profile He
Page 92 and 93: 171 Four-Cornered Hat Running Staff
Page 94 and 95: 172 Shin Guard Wari culture AD 600-
Page 97: PROVINCIAL WARI WARI-RELATED STYLES
Page 100: 173 Portion of a Tunic Staff Deity
Page 103 and 104: HUARI
Page 107 and 108: 176 Bands from a Tunic Crouching Fe
Page 110: 178 Fragment from a Tunic A Puffer
Page 114: 180 Panel from a Tunic Mythical Fel
Page 118: 182 Corner from a Mantle Entwined F
Page 122 and 123: 184 Fragment from a Mantle or Hangi
Page 124: 185 Double Panel Serpentine Creatur
Page 127 and 128: 187 Fragment "Moon Animal" (Coati/F
Page 129 and 130: 188 Fragment from a Tunic "Moon Ani
Page 131 and 132: 190 Band from a Tunic Quadruped Coa
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Page 135: 194 Corner from a Ritual Cloth? Min
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Moche Wari and Huarmey Cultures The
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197 Fragment from a Tunic or Sleeve
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199 Sleeve or Band from a Tunic Dec
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201 Panel "Monkey" Lord Moche-Wari
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203 Panel from a Tunic Feline and W
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205 Border from a Tunic Mythical Cr
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207 Band from a Tunic? Warrior with
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209 Band "Water Cat" Coastal Wari c
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Chimú and Lambayeque, Chancay and
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of Chanchán’s palatial and admin
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213 Band from a Tunic Ritualist wit
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214 Panel from a Border Narrative S
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215 Fragment from a Garment or Hang
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217 Tassel or Embellishment for a G
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219 Sash with Tab Ends (fragmentary
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222 Panel from a Tunic? Personage i
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229 Band Coati/Fox/Feline Chimú or
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232 Multi-tiered Tassel from a Cere
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233 Fragment from a Garment Scorpio
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234 Three-Dimensional Tassel from a
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236 Sash with Tassels Crowned Birds
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238 Tassel or Figurine Fierce Face
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240 Ceremonial Sling (fragmentary)
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245 Votive Figure (left) Monkey Nor
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247 Textile Figurines Family Group
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248 Textile Figurine Man with Coati
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250 Textile Figurine Woman with Fac
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251 Textile Figurine (unfinished or
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253 Ornamental Pin (right) Wari-inf
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256 Three-Dimensional Textile Adorn
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257 Textile Pendant Splayed Frogs o
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259 Fragment from a Tunic (left, bo
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262 Band from a Garment Bird with H
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Imagery from assorted textiles offe
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267 Painted Frieze Interlocking Fig
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270 Motif from a Mantle or Hanging?
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271 Motif from a Mantle or Tunic Fl
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276 Votive Figurine Scarlet Macaw C
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279 Adornment for a Feathered Crown
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282 Fragment from a Garment Bird Ha
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284 Design Square from a Garment Fe
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286 Fragment from a Tunic Monkey Pe
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288 Three-Dimensional Votive Effigy
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289 Three-Dimensional Animal Figuri
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290 Motifs for a Garment Camelids C
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292 Votive Fiber Sculpture Anaconda
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293 Votive or Dance Ornaments Snake
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295 Motifs from a Garment Double-He
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INKA
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Inka Culture The extraordinary phen
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Although there were many types of t
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304 Coca Bag (chuspa) Chuquibamba s
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1999 Painted Chavín Textiles from
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Rowe, Ann Pollard 1984 Costumes and
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Shamans, Supernaturals & Animal Spirits: Mythic Figures From the Ancient Andes

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