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Shamans, Supernaturals & Animal Spirits: Mythic Figures From the Ancient Andes

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205<br />

Border from a Tunic<br />

<strong>Mythic</strong>al Creature (Llama/Deer/Frog)<br />

Moche-Wari culture, Huarmey Valley<br />

AD 750-1000<br />

Cotton, camelid wool; interlocking and<br />

slit tapestry weave<br />

2¾" x 34½"<br />

If ever <strong>the</strong>re was a compressed symbolic narrative or an<br />

improbable composite animal in Andean iconography, this<br />

antlered, sprouting, indescribable creature exemplifies it. The<br />

design layout, juxtaposing a single, discrete figure with an area<br />

of solid-colored slit tapestry weave conforms to Huarmey<br />

styles. But <strong>the</strong> figure has little precedent and is difficult to<br />

decode.<br />

The traits of several different animals, and multiple vantage<br />

points, are fused into an intricate, surreal form. The core figure<br />

has <strong>the</strong> sinuous, attenuated form of a spider monkey with a<br />

spiraling tail and many rootlike limbs, while <strong>the</strong> antlered head<br />

may allude to a deer or llama. Its extended tongue is continuous<br />

with <strong>the</strong> spinal column, while its haunches are rendered like<br />

those of a squatting toad or frog.<br />

The organic character of <strong>the</strong> design, <strong>the</strong> water symbolism and<br />

<strong>the</strong> fact that in Moche iconography budding antlers on deer<br />

were apparently equated with budding leaves cohere into an<br />

icon that may celebrate seasonal fecundity and growth.<br />

159

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