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Shamans, Supernaturals & Animal Spirits: Mythic Figures From the Ancient Andes

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184<br />

Fragment from a Mantle or Hanging?<br />

Cryptic Jaguars<br />

Wari-related culture (North-Central Coast?)<br />

AD 800-1100<br />

Cotton; doublecloth<br />

35" x 35"<br />

The long, lean form of a prowling jaguar is obscured by<br />

a puzzle of lines and o<strong>the</strong>r motifs in three contiguous<br />

panels from a mantle or mural hanging. The black, red and<br />

white coloration is distinctive, and recalls <strong>the</strong> palette of many<br />

pottery traditions (particularly Recuay). The compression and<br />

expansion of <strong>the</strong> figure derives from Wari design conventions.<br />

It takes an effort of perception to pick out <strong>the</strong> outline of <strong>the</strong><br />

animal within <strong>the</strong> overwhelmingly dense, multidirectional<br />

geometric patterns that consume <strong>the</strong> positive and negative<br />

space, both within and around <strong>the</strong> figure. The viewer’s eye<br />

is directed by a few signs that indicate <strong>the</strong> eyes and mouth<br />

of <strong>the</strong> feline. The dark and light rosettes of <strong>the</strong> jaguar’s pelt<br />

are similarly conveyed by interlocking serpentine chains that<br />

terminate in heads of all kinds (snakes, harpy eagles, skulls).<br />

Although <strong>the</strong> design is strongly horizontal, when turned<br />

vertically, <strong>the</strong> half-form of a squat anthropomorphic figure<br />

(split down <strong>the</strong> middle) can be discerned amid <strong>the</strong> intensive<br />

red and white patterning of <strong>the</strong> center panel. Its oversized<br />

head, wide mouth and concentric eyes are reminiscent of <strong>the</strong><br />

Oculate Being icon that dominated Early Paracas iconography.<br />

122

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