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The discovery of multiple textile deposits at <strong>the</strong> Pachacamac shrine, representing<br />
distinct cultures and time periods during <strong>the</strong> long epoch between Wari and Inka<br />
domination, attests to <strong>the</strong> considerable overlap between and mutual influence of coastal<br />
styles and iconography.<br />
Textiles were traded between cultures and exchanged as tribute across a wide region.<br />
Related types of weavings have been found in diverse locations—from Ica, in <strong>the</strong><br />
south, to <strong>the</strong> Huarmey Valley, in <strong>the</strong> north. As a consequence, <strong>the</strong> cultural attribution or<br />
chronology for numerous extant pieces such as this tunic fragment remains an imprecise<br />
art.<br />
Thin figural stripes along <strong>the</strong> outer edge resonate with highland weaving traditions,<br />
while a bird-shaped eye motif echoes Wari conventions. But <strong>the</strong> icon itself is that<br />
mythical conflation dubbed <strong>the</strong> "moon animal," which was inherited from <strong>the</strong> Recuay<br />
and ubiquitous in north-central coast imagery. Jaguar spots on <strong>the</strong> face, combined with<br />
<strong>the</strong> coati's ringed tail and three-clawed foot, reveal one inspiration for <strong>the</strong> motif—if not<br />
<strong>the</strong> significance of <strong>the</strong> mix of references.<br />
An unusual symbol emerging from <strong>the</strong> animal's mouth is a potential clue. This<br />
segmented/tripartite form is similar to <strong>the</strong> San Pedro cactus emblem frequently applied<br />
to <strong>the</strong> classic Wari staff-bearer’s staff. However, in this context it is also tempting to<br />
interpret <strong>the</strong> motif as a glyph or sign indicating sound or speech—particularly given <strong>the</strong><br />
overlap between fox and coati in local iconography.<br />
History and ritual practice substantiate <strong>the</strong> association. For example, <strong>the</strong> golden effigy<br />
of a sacred fox or vixen was installed at Pachacamac, which was renowned as temple of<br />
oracles. Similarly, a drawing made by <strong>the</strong> Chronicler Huamán Poma during <strong>the</strong> later<br />
post-conquest era portrays an Inka diviner consulting various animal oracles—among<br />
<strong>the</strong>m a fox with a scroll emanating from its mouth.<br />
Additionally, <strong>the</strong> design is framed by rows of parrots—a bird especially associated with<br />
talkativeness and <strong>the</strong> shamanic arts—which only seem to reinforce a <strong>the</strong>me of oracle<br />
communication or mediation.<br />
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