Shamans, Supernaturals & Animal Spirits: Mythic Figures From the Ancient Andes

1999 Painted Chavín Textiles from Ica Valley, South Coast. In Tejidos
Milenarios del Peru, ed. J. A. de Lavalle and R. De Cardenas: 107-
140.
2008 The Culture of Chavín Textiles. In Chavín: Art, Architecture,
and Culture, ed. W. Conklin and J. Quilter. Los Angeles: UCLA
Cotsen Institute of Archaeology.
Cordy-Collins, A. and J. Stern, eds.
1977 Pre-Columbian Art History: Selected Readings. Palo Alto: Peek
Publications.
Cornejo, Luis
2005 A Garden in the Desert: A Metaphor. In Chimú: Laberintos de un
Traje Sagrado. Santiago: Museo Chileno de Arte Precolombino.
D
Dawson, Lawrence
1979 Painted Cloth Mummy Masks of Ica, Peru. In The Junius B. Bird
Textile Conference 1973, ed. Ann P. Rowe et al.
de Bolle, Jacqueline et al
1994 Rediscovery of Pre-Columbian Textiles. Antwerp: Lamandart
Editeurs.de Lavalle.
De Lavalle, J. A. and W. Lang, eds.
1979 Arte Precolombino.Tercera Parte: Pintura. Lima: Banco de Credito
del Peru en la Cultura.de Lavalle, J.A., ed.
1984 Culturas Precolombinas: Huari. Lima: Banco de Credito del Peru
en la Cultura.
1985 Culturas Precolombinas: Moche. Lima: Banco de Credito del Peru
en la Cultura.
1988 Culturas Precolombinas: Chimú. Lima: Banco de Credito del Peru
en la Cultura.
1989 Culturas Precolombinas: Lambayeque Lima: Banco de Credito del
Peru en la Cultura.
DeLeonardis, Lisa
2000 The Body Context: Interpreting Early Nasca Decapitated
Burials. Latin American Antiquity 11 (4): 363-386.
Donnan, Christopher
1978 Moche Art of Peru. Precolumbian Symbolic Communication. Los
Angeles: Museum of Cultural History.
1994 The Moment of Greatest Sanctity: A Pacatnamu Ritual Textile.
Hali Annual 1.
1997 Deer Hunting and Combat: Parallel Activities in the Moche
World. In The Spirit of Ancient Peru, ed. Kathleen Berrin.
Donnan, Christopher and Donna McClelland
1999 Moche Fineline Painting: Its Evolution and Its Artists. Los Angeles:
University of California.
E, F
Frame, Mary
1990 Andean Four-Cornered Hats: Ancient Volumes. New York: The
Metropolitan Museum.
1997/ Chuquibamba: A Highland Textile Style. Textile Museum
1998 Journal 36/37.
2001 Blood, Fertility, Transformation: Interwoven Themes in the
Paracas Necropolis Embroideries. In Ritual Sacrifice in Ancient
Peru, ed. E. Benson and A. Cook.
2004 Motion Pictures: Symmetry as Animator, Classifier, and Syntax
in the Nasca Embroideries of Peru. In Symmetry Comes of Age:
The Role of Pattern in Culture, ed. D. Washburn and D. Crowe.
Seattle: University of Washington Press.
Furst, Peter
1972 Flesh of the Gods: The Ritual Use of Hallucinogens. New
York: Praeger.
1976 Hallucinogens and Culture. Novato, CA: Chandler and Sharp
Publishers.
G
Gayton, A.H.
1961 Early Paracas Style Textiles from Yauca, Peru. Archaeology 14.2):
117-121.
Glowaki, Mary
2005 Food of the Gods or mere mortals? Hallucinogenic Spondylus
and its interpretative implications for early Andean society.
Antiquity 79: 257-268.
H
Haeberli, Joerg
2001 Time and Tradition in Arequipa, Peru, and the Development of a
Chronology for the Central Deity Theme. In Huari y Tiwanaku:
Modelos vs. Evidencias 2, ed. P. Kaulicke and W. Isbell. Boletín de
Arqueología PUCP No 5 (Lima).
2006 When and Where Did the Nasca Proliferous Style Emerge. In
Andean Archaeology III. North and South, ed. W. Isbell and H.
Silverman. New York: Springer.
Horié, Donna M.
1990/ A Family of Nasca Figures. Textile Museum Journal 29-30:
1991 77-92.
Huamán Poma [Guamán Poma] [1613]
1978 Letter to a King: A Peruvian Chief’s Account of Life Under the Incas
and Under Spanish Rule. Translated and edited by Christopher
Dilke. New York: E. P. Dutton.
I J
Isbell, William
1997 Mummies and Mortuary Monuments: A Postprocessual Prehistory of
Central Andean Social Organization. Austin: University of
Texas Press.
Janusek John Wayne
2008 Ancient Tiwanaku. New York: Cambridge University Press.
Jimenez Borja, A
1988 Introduction. Culturas Precolombinas: Chimú, ed. J.A. de Lavalle.
Lima.
K
Kajitani, Nobuko
1982 The Textiles of the Andes. Shenshoku no Bi (Textile Arts) 20: 9-96.
307