10.05.2017 Views

PC_Advisor_Issue_264_July_2017

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

FEATURE<br />

When using aperture priority keep an eye<br />

on the shutter speed, because should it get<br />

below 1/30 second, it will become difficult to<br />

shoot handheld and avoid blurry photos.<br />

2. Sporting shots<br />

Unless you’re photographing Crown<br />

Green Bowls, the speed of those taking<br />

part becomes a critical factor in how you<br />

approach getting decent sports photographs.<br />

Here’s a photo shot<br />

with a high aperture<br />

Ideally, you usually want to freeze the<br />

subject in action, requiring a high shutter<br />

speed in preference to aperture control.<br />

Using shutter priority mode is the<br />

obvious choice, usually the ‘S’ setting on the<br />

mode dial. The beauty of shutter priority<br />

is that you can set 1/500 of a second, and<br />

know that you’ll get precisely that.<br />

However, a high shutter speed doesn’t<br />

suit all sports. Photographing racing cars,<br />

for example, is best done at a slower shutter,<br />

tracking the car to create motion blur<br />

around it, while leaving the vehicle sharp.<br />

Conversely, any sport with water is<br />

often best shot at the very highest possible<br />

speed, capturing all the liquid surface details.<br />

What you can’t ignore is what the<br />

camera does with the aperture. With a<br />

high f/22 setting the background will<br />

be as detailed as the foreground competitor/<br />

vehicle, unhelpfully.<br />

Those wanting to shoot sports on a<br />

regular basis will need a big 400mm (or<br />

longer) lens, a supporting monopod, and<br />

be happy to sift through many hundreds of<br />

images that never quite caught the moment.<br />

3. Long exposures<br />

Using long exposure times, you can<br />

capture the movement of stars, cars on<br />

the road at night and the airliners on their<br />

final approach. The trick is balancing the<br />

light entering the lens with the length<br />

of exposure. The timing requires a bit of<br />

guesswork because the light metering<br />

in most DSLRs just doesn’t work well for<br />

multi‐second or minute long exposures.<br />

The mode you need to use is called<br />

‘Bulb’, and it allows you to hold the<br />

shutter open for as long as is necessary.<br />

Depending what you’re trying to capture,<br />

that might be a few seconds or hours.<br />

Capturing the moment<br />

<strong>July</strong> <strong>2017</strong> www.pcadvisor.co.uk/features 81

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!