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PC_Advisor_Issue_264_July_2017

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Feature: Best photography techniques<br />

Unprocessed image<br />

Using a Photoshop plugin like HDR Efex<br />

Pro 2 (free from Google) or standalone<br />

<strong>PC</strong> applications such as Luminance HDR,<br />

significant amounts of detail can be<br />

extracted from one image.<br />

Alternatively, you can take any image<br />

and alter the levels to bring out the<br />

shadow and highlight details, saving them<br />

as separate images, and then recombine<br />

them for HDR processing.<br />

Even using a single RAW image, you’ll be<br />

impressed with what tone mapping can pull<br />

out of what looks like a rather unexciting and<br />

flat image. Processing a single image using<br />

tonal mapping tools can exploit the hidden<br />

data in an image.<br />

19. How to shoot in black and white<br />

Digital black and white is shooting colour with<br />

the intention to eliminate it later, even if you<br />

use the hue data in post processing. Most<br />

cameras offer a black and white viewfinder<br />

mode or in-camera processing. Nikon, for<br />

example, will convert the JPG to black and<br />

white, while shooting in RAW+JPG, though<br />

the RAW will still contain colour. It then<br />

shows you the mono JPG on the viewfinder.<br />

These features help, but it’s also down to<br />

the photographer’s eye to see the light and<br />

dark within the frame and understand how<br />

that might work in monochrome.<br />

Photoshop has excellent control over the<br />

conversion process, letting you reduce or<br />

enhance different channels, making it one of<br />

the best tools for black and white to work.<br />

You can do this at the camera with coloured<br />

filters, but that limits the options available to<br />

you in post processing. However skilled you<br />

are with using these features, the real trick is<br />

to pick subjects with high contrast that don’t<br />

rely on colour for composition or impact.<br />

As shown above, low contrast scenes or<br />

ones with strong colour don’t convert well.<br />

However, those with high contrast can look<br />

spectacular (see below)<br />

20. The tilt-shift technique<br />

The use of perspective control lenses<br />

goes back a long time, with Nikon selling<br />

Processed image<br />

88 www.pcadvisor.co.uk/features <strong>July</strong> <strong>2017</strong>

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