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PC_Advisor_Issue_264_July_2017

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Feature: Best photography techniques<br />

17. How to use reflections<br />

When shooting reflections you need<br />

to focus on exactly what the reflective<br />

surface is presenting, often that being<br />

the sky. If the sky or background isn’t<br />

interesting, then it doesn’t matter<br />

how perfect the water or shiny the<br />

chrome, it won’t generate anything<br />

visually exciting. You just might need<br />

to wait for the weather to change, or<br />

alter your viewpoint.<br />

Being able to see these possibilities<br />

is part of becoming a photographer.<br />

Here’s a nice shot of geese (below),<br />

but very little interest in the water<br />

reflections. Contrasted with one<br />

(right) where the sky and background<br />

provide a wonderfully colourful<br />

backdrop to the feeding bird.<br />

1<br />

2<br />

3<br />

Without polariser<br />

With polariser<br />

4<br />

the camera settings, as is the increment.<br />

When the images are recombined on the<br />

<strong>PC</strong> (or Mac) using Photoshop or the many<br />

free HDR tools available, you should end<br />

up with detailed shadows without blownout<br />

highlights. Because of the time delay<br />

between shots, it is best to restrict this<br />

technique to static scenes and avoid moving<br />

subjects. And, unless you’ve got a very<br />

rapid burst mode and strong light, using<br />

a tripod is also a necessity.<br />

Photos 1, 2 and 3 (above) were taken<br />

at different exposures. The three shots<br />

are recombined in software to create one<br />

image (4) with enhanced dynamic range.<br />

18. HDR from a single image<br />

If you’ve only a single image, you can still<br />

process it to get the very best out of the<br />

captured data within it, especially if you<br />

use a RAW file format.<br />

<strong>July</strong> <strong>2017</strong> www.pcadvisor.co.uk/features 87

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