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Feature: Best photography techniques<br />
17. How to use reflections<br />
When shooting reflections you need<br />
to focus on exactly what the reflective<br />
surface is presenting, often that being<br />
the sky. If the sky or background isn’t<br />
interesting, then it doesn’t matter<br />
how perfect the water or shiny the<br />
chrome, it won’t generate anything<br />
visually exciting. You just might need<br />
to wait for the weather to change, or<br />
alter your viewpoint.<br />
Being able to see these possibilities<br />
is part of becoming a photographer.<br />
Here’s a nice shot of geese (below),<br />
but very little interest in the water<br />
reflections. Contrasted with one<br />
(right) where the sky and background<br />
provide a wonderfully colourful<br />
backdrop to the feeding bird.<br />
1<br />
2<br />
3<br />
Without polariser<br />
With polariser<br />
4<br />
the camera settings, as is the increment.<br />
When the images are recombined on the<br />
<strong>PC</strong> (or Mac) using Photoshop or the many<br />
free HDR tools available, you should end<br />
up with detailed shadows without blownout<br />
highlights. Because of the time delay<br />
between shots, it is best to restrict this<br />
technique to static scenes and avoid moving<br />
subjects. And, unless you’ve got a very<br />
rapid burst mode and strong light, using<br />
a tripod is also a necessity.<br />
Photos 1, 2 and 3 (above) were taken<br />
at different exposures. The three shots<br />
are recombined in software to create one<br />
image (4) with enhanced dynamic range.<br />
18. HDR from a single image<br />
If you’ve only a single image, you can still<br />
process it to get the very best out of the<br />
captured data within it, especially if you<br />
use a RAW file format.<br />
<strong>July</strong> <strong>2017</strong> www.pcadvisor.co.uk/features 87