02.03.2021 Views

POST SCRIPTUM English__ Feb 2021

POST SCRIPTUM - Independent MAGAZINE OF LITERATURE & ARTS - English version. POST SCRIPTUM - Niezależne pismo artystyczno-literackie tworzone przez polsko-brytyjski zespół entuzjastów, artystów i dziennikarzy. Zapraszamy do lektury.

POST SCRIPTUM - Independent MAGAZINE OF LITERATURE & ARTS - English version.
POST SCRIPTUM - Niezależne pismo artystyczno-literackie tworzone przez polsko-brytyjski zespół entuzjastów, artystów i dziennikarzy. Zapraszamy do lektury.

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

the glass of the window and feel a connection to<br />

something ritual and indescribable. I’m still working<br />

on my art studio in Chicago, which is my second home.<br />

I can’t tell I’m satisfied with the working space here<br />

so far. I know how it’s supposed to be! My plan is to<br />

build the studio somewhere deep in woods, to be<br />

surrounded by old trees. It’s going to be a glass space,<br />

so I will be able to feel involvement with nature. The<br />

mixed smell of fireplace, coffee and oil paints, music,<br />

replacing each other seasons beyond the windows, a<br />

couple of easels, my favourite chair and a cat – this is a<br />

humble picture of my dream studio. It’s coming)<br />

How long does one painting take?<br />

There is no particular time for completing one<br />

painting. Each peace has a different character as a<br />

person. Sometimes it takes a week, sometimes –<br />

weeks. Sometimes I think that it’s still a lot of work<br />

to go. Keep coming to the canvas staring at it for<br />

hours (days sometimes), and then suddenly just one<br />

brushstroke finalizes the painting and it becomes so<br />

clear that the painting is finished. It’s always mystery<br />

and a puzzle which you must unravel. Especially if<br />

you paint a portrait. First of all, you have to get along<br />

with the person you paint. (But it’s a totally different<br />

story I can talk about it for ages!). I’m not talking<br />

about commissions of real people, but about nonexistent<br />

portraits, which appear to this world from my<br />

imagination through my canvases.<br />

Do you paint every day?<br />

Every day I’m in my studio. I work there. Work includes<br />

painting process, stretching the canvases, looking<br />

for the right character I want to paint next, learning<br />

something new about colour combination, technique,<br />

textures, styles. It’s a process. Contemplation.<br />

What other hobbies or interests do you have?<br />

My hobbies are very conventional. I think it helps<br />

me to ground from my paintings. I like outdoors and<br />

indoors. I never feel locked if I spend days inside. I<br />

even don’t notice it. It seems opposed, that I travel<br />

through times and miles! I read a lot or listen to some<br />

interviews with people I find distinguished, watch<br />

captivating videos. So, time flies by even I don’t leave<br />

the house. Also, I love baking! For me it’s some sort of<br />

meditation. I walk. I discover new places I never visited<br />

before, or opposite – continue visiting over and over the<br />

same place I’m in love with. I love traveling by car.<br />

I know you had a very special, beloved friend in your<br />

childhood: Mickey Mouse. From an early age, you<br />

drew and painted this character by copying it from a<br />

sticker brought from abroad. Fortune has come full<br />

circle now that you work for Disney. How did your<br />

collaboration with Disney come about?<br />

Disney is associated with pop culture, does an artist of<br />

your calibre, so carefully educated, mind the fact that<br />

you are associated with American cartoons?<br />

Our life is full of unpredictability and surprises. There<br />

is a beauty in it. They say there are no accidents.<br />

Everything happens for the reason. In late 2001<br />

my works attracted the attention of a major Disney<br />

affiliated creative artist management agency. I was<br />

somewhat resistant to the suitors’ initial courtship,<br />

who, nevertheless, continued being persistent in their<br />

promises to bring me to the United States, to launch<br />

American exhibits of my paintings, to expose new public<br />

of my art , and to connect me with American artists<br />

. By March 2002 the agency succeeded. I visited Los<br />

Angeles and became a licensed Disney Fine Art Artist.<br />

Disney is more than pop culture. It’s everything! It’s a<br />

religion, god, love, memories, happiness, purity and<br />

innocence. It’s an enormous part of American culture!<br />

To be honest, I feel so honoured to join this community.<br />

And I’m still Irene Sheri. I’m not a cartoonist. For Disney<br />

I paint impressionistic portraits of children interacting<br />

with Disney toys. I don’t get out of my style. Remember<br />

once I recalled my teacher’s statement? “Doesn’t<br />

matter what we paint. It’s matter how we paint! “.<br />

What, as an artist, do you wish for?<br />

As an artist I wish I continue connecting with others<br />

through my art, engaging with the world and reflecting<br />

on myself. When we experience art, we also have the<br />

privilege to experience raw emotions and an inner<br />

connection to our deepest being. What an incredible<br />

thing! I wish it lasts for ever! [RC]<br />

35<br />

<strong>POST</strong> <strong>SCRIPTUM</strong><br />

35

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!