POST SCRIPTUM English__ Feb 2021
POST SCRIPTUM - Independent MAGAZINE OF LITERATURE & ARTS - English version. POST SCRIPTUM - Niezależne pismo artystyczno-literackie tworzone przez polsko-brytyjski zespół entuzjastów, artystów i dziennikarzy. Zapraszamy do lektury.
POST SCRIPTUM - Independent MAGAZINE OF LITERATURE & ARTS - English version.
POST SCRIPTUM - Niezależne pismo artystyczno-literackie tworzone przez polsko-brytyjski zespół entuzjastów, artystów i dziennikarzy. Zapraszamy do lektury.
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
I have always been interested<br />
in the sources of violence<br />
photo: Damian Andrzejewski<br />
Alicja Stańska<br />
Every day we are bombarded with violence. It has<br />
become an inseparable part of news and television.<br />
The newspapers day by day write about violent murders,<br />
about acts of violence, often aimed at children. Now and<br />
then a new extremely dangerous serial killer surfaces and<br />
causes panic. The most famous ones, if they are caught<br />
and charged, get the media’s attention, and become the<br />
“heroes” of movies and books. Violence is incorporated<br />
into the world order. Does it mean that the more we<br />
get to know about it the less sensitive we are to it? Less<br />
vigilant? Especially in the days of a global pandemic, the<br />
violence is often quietly hidden behind the closed doors<br />
of our neighbourhoods.<br />
What then is the role of the artist in the process of<br />
spreading awareness on growing violence? Do they, and if<br />
so, how do they need to move their audience? According<br />
to Stańska, they should take a closer look at the sources<br />
of the crime.<br />
The conversations with an incredible woman, an artist,<br />
a mother, an art patron.<br />
How did it happen, that after graduating from<br />
a pre sti g ious e m broide r y sc hool you be cam e<br />
a criminologist?<br />
I have always been interested in the sources of violence,<br />
ever since I was child. Not literally how one commits<br />
a crime, how one kills, but what pushes a human being<br />
to commit a crime. The observations from my childhood,<br />
seeing some situations, reassured me that it is necessary<br />
to seek the answer to my question: where does the evil<br />
come from?<br />
Where did the idea behind your exhibition Whose Fault,<br />
which you are currently finishing off, come from? From<br />
memories or maybe from a sense of mission?<br />
The exhibition is a result of my thoughts that stem from<br />
my childhood, but it is also the effect of my scientific<br />
work. I have worked through tons of literature, I have<br />
68 <strong>POST</strong> <strong>SCRIPTUM</strong>