POST SCRIPTUM English__ Feb 2021

I don’t believe in afflation
but in regular work.
A journalist, a painter, an ex-rock-percussionist, and
a composer. How did it happen that you became
a photographer?
I have been taking photos for more than 30 years. I have
started with my old analogue camera “Zenit” and only one
lens. I attended an art school, where we had a chance to
experiment in the dark room with multiple layers of movie
frames, and even with photomontages. However, they
were lacking the precision which can now be achieved
with computer programmes. When I discovered the
possibilities of photoshop, I quickly switched to digital
photography and editing. It started as a game by adding a
dog-head onto my friend. It looked so realistic. I decided
to take this path and create my little worlds based on bits
and pieces from my regular photographs. From the very
beginning, I wanted to create a realistic illusion.
In the time of the Internet, computers, and easy access to
free stock , almost everyone could create photomontages
using Photoshop or other editing programs. You made it
into a lifestyle. Where does this success come from?
I think for me it was all about being systematic and
consistent and to earn a living from it. I rarely needed to
do commissions such as weddings and first communions.
Several years ago, I decided to create one piece a day –
no matter what. I don’t believe in sudden inspiration,
only consistent work counts. With time and experience in
using Photoshop, I started creating several pieces a day.
In my opinion, if it is my work (,) all elements should be
photographed by me, that’s why I never use stock photos.
Open space, freedom, harmony, purity, clear picture,
magic, contrast in tone and composition – these are the
main characteristics of your works. What would you call
your style?
I would say it is neo-surrealist. I base my works on classics,
which you can see in the composition of my photographs.
I don’t like chaos or overcrowding in my works, I don’t like
too many elements. I try to reach harmony for my stories
to be clear and understandable. The magic lies in simplicity.
Although I take inspiration from surrealism, understanding
the artistic achievement of its creators, but I don’t copy
anyone.
Could you describe how you create your works? I am
interested in the process.
Usually, I start with the landscape. I look for something
special, a base, whether it’s the rhythm, an interesting
texture or something unique. Then I add the clouds, I have an
abundant collection of them. I want them to complement,
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