POST SCRIPTUM English__ Feb 2021
POST SCRIPTUM - Independent MAGAZINE OF LITERATURE & ARTS - English version. POST SCRIPTUM - Niezależne pismo artystyczno-literackie tworzone przez polsko-brytyjski zespół entuzjastów, artystów i dziennikarzy. Zapraszamy do lektury.
POST SCRIPTUM - Independent MAGAZINE OF LITERATURE & ARTS - English version.
POST SCRIPTUM - Niezależne pismo artystyczno-literackie tworzone przez polsko-brytyjski zespół entuzjastów, artystów i dziennikarzy. Zapraszamy do lektury.
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IRENE SHERI VISHNEVSKAYA<br />
Irene Sheri came to the world a painter. More so, Irene came to the world gifted<br />
with inherent love for the beauty around her. Starting in early childhood, she<br />
began embracing her need to create, to capture, to express what she saw. Painting<br />
and drawing quickly became her love letters to the world, and by nine years her<br />
lifelong passion was created. Irene’s professional journey began in an art school for<br />
small children, and just six years later, as a young adult student in Grekov Odessa<br />
Art School, Irene already emerged as a highly talented artist, participating in local<br />
exhibitions and winning her first awards, including a “Young Artist of the Year”.<br />
After earning a degree from Serov’s Saint Petersburg Art School, Irene went on<br />
to hone her craft at the highest level,<br />
in the Russian Academy of Arts in Saint<br />
Petersburg., whose halls have been<br />
fostering and protecting the most sacred<br />
elements of fine art for almost 300 years.<br />
The true professional acclaim came to<br />
Irene in the form of the State Prize in<br />
Art and acceptance to the Artists Trade<br />
Union of Russia. Her works were now<br />
being displayed throughout Russia and<br />
many European and online galleries; it<br />
is the increased international exposure<br />
what ultimately ushered in the next<br />
part of her life. In late 2001, her works<br />
attracted the attention of a major Disney<br />
affiliated creative artist management<br />
agency. Irene was somewhat resistant<br />
to the suitors’ initial courtship, who,<br />
nevertheless, continued being persistent<br />
in their promises to bring her to the<br />
United States, to launch American exhibits<br />
of her paintings, to expose new public to<br />
her art, and to connect her with American<br />
artists. By March 2002, the agency<br />
succeeded. Irene visited Los Angeles<br />
and becoming a licensed Disney Fine Art<br />
artist marked her new professional peak. Over the following years, Irene travelled<br />
between the US and Russia multiple times, gradually building her presence, gaining<br />
more recognition, and slowly transitioning into novel social, artistic, and business<br />
cultures. She moved permanently to the United States in 2010. Continuing to<br />
reflect and to fall in love with the world around her over and over, Irene Sheri<br />
transformed and changed throughout her life as an artist. Reinventing and blending<br />
herself with the cues and details that developed around her, Irene filtered time<br />
and assimilated new elements in a childlike manner. Keeping her classical Russian<br />
art school origins and embracing new modern western aspects, her paintings an<br />
impressionists-like core breath the life of everyday trifles, embodying the joy of<br />
small, everyday things. Tender melancholy, momentary looks, soft smiles and all<br />
subtle yet well-defined and confident reflections of deep inner harmony and peace<br />
in her works, brought together concisely and pointedly. Irene firmly commands<br />
various genres, from still-life to landscapes and portraits. Reminiscent of Renoir,<br />
Degas and Klimt, her portraits convincingly echo the unaffectedness of a child and<br />
mature female love in the same captured moments. Most often her characters<br />
speak through the understated - and ever so hard to capture wholly - elements<br />
in eyes and hands, making us realise that a true portrait must not be objective<br />
but rather only genuinely exists in a milky, in-between realm of a confession and<br />
an existential self-insistence. Irene’s talent continued to endure and break new<br />
ground with every new period of her artistic life. Over the years, her art has been<br />
featured in galleries all over the world. The most recent works, featured in this<br />
book, pay tribute to the best traditions of Romantic Realism, blended with moods<br />
of Impressionism, and decorated by the best ornaments of Modernism.<br />
28<br />
28 <strong>POST</strong> <strong>SCRIPTUM</strong><br />
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