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POST SCRIPTUM English__ Feb 2021

POST SCRIPTUM - Independent MAGAZINE OF LITERATURE & ARTS - English version. POST SCRIPTUM - Niezależne pismo artystyczno-literackie tworzone przez polsko-brytyjski zespół entuzjastów, artystów i dziennikarzy. Zapraszamy do lektury.

POST SCRIPTUM - Independent MAGAZINE OF LITERATURE & ARTS - English version.
POST SCRIPTUM - Niezależne pismo artystyczno-literackie tworzone przez polsko-brytyjski zespół entuzjastów, artystów i dziennikarzy. Zapraszamy do lektury.

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IRENE SHERI VISHNEVSKAYA<br />

Irene Sheri came to the world a painter. More so, Irene came to the world gifted<br />

with inherent love for the beauty around her. Starting in early childhood, she<br />

began embracing her need to create, to capture, to express what she saw. Painting<br />

and drawing quickly became her love letters to the world, and by nine years her<br />

lifelong passion was created. Irene’s professional journey began in an art school for<br />

small children, and just six years later, as a young adult student in Grekov Odessa<br />

Art School, Irene already emerged as a highly talented artist, participating in local<br />

exhibitions and winning her first awards, including a “Young Artist of the Year”.<br />

After earning a degree from Serov’s Saint Petersburg Art School, Irene went on<br />

to hone her craft at the highest level,<br />

in the Russian Academy of Arts in Saint<br />

Petersburg., whose halls have been<br />

fostering and protecting the most sacred<br />

elements of fine art for almost 300 years.<br />

The true professional acclaim came to<br />

Irene in the form of the State Prize in<br />

Art and acceptance to the Artists Trade<br />

Union of Russia. Her works were now<br />

being displayed throughout Russia and<br />

many European and online galleries; it<br />

is the increased international exposure<br />

what ultimately ushered in the next<br />

part of her life. In late 2001, her works<br />

attracted the attention of a major Disney<br />

affiliated creative artist management<br />

agency. Irene was somewhat resistant<br />

to the suitors’ initial courtship, who,<br />

nevertheless, continued being persistent<br />

in their promises to bring her to the<br />

United States, to launch American exhibits<br />

of her paintings, to expose new public to<br />

her art, and to connect her with American<br />

artists. By March 2002, the agency<br />

succeeded. Irene visited Los Angeles<br />

and becoming a licensed Disney Fine Art<br />

artist marked her new professional peak. Over the following years, Irene travelled<br />

between the US and Russia multiple times, gradually building her presence, gaining<br />

more recognition, and slowly transitioning into novel social, artistic, and business<br />

cultures. She moved permanently to the United States in 2010. Continuing to<br />

reflect and to fall in love with the world around her over and over, Irene Sheri<br />

transformed and changed throughout her life as an artist. Reinventing and blending<br />

herself with the cues and details that developed around her, Irene filtered time<br />

and assimilated new elements in a childlike manner. Keeping her classical Russian<br />

art school origins and embracing new modern western aspects, her paintings an<br />

impressionists-like core breath the life of everyday trifles, embodying the joy of<br />

small, everyday things. Tender melancholy, momentary looks, soft smiles and all<br />

subtle yet well-defined and confident reflections of deep inner harmony and peace<br />

in her works, brought together concisely and pointedly. Irene firmly commands<br />

various genres, from still-life to landscapes and portraits. Reminiscent of Renoir,<br />

Degas and Klimt, her portraits convincingly echo the unaffectedness of a child and<br />

mature female love in the same captured moments. Most often her characters<br />

speak through the understated - and ever so hard to capture wholly - elements<br />

in eyes and hands, making us realise that a true portrait must not be objective<br />

but rather only genuinely exists in a milky, in-between realm of a confession and<br />

an existential self-insistence. Irene’s talent continued to endure and break new<br />

ground with every new period of her artistic life. Over the years, her art has been<br />

featured in galleries all over the world. The most recent works, featured in this<br />

book, pay tribute to the best traditions of Romantic Realism, blended with moods<br />

of Impressionism, and decorated by the best ornaments of Modernism.<br />

28<br />

28 <strong>POST</strong> <strong>SCRIPTUM</strong><br />

source: website

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